
Detalles
Artista
Estilos
Drypoint and etching printed in red and black Signed by the artist in pencil, dated and annotated “AP” 15 ¾ x 16 5/8 in. (40 x 42.2 cm), unframed Edition of 100 + 25 AP (annotated in artist’s handwriting at bottom, Happy B Day, Claire. Love from Nancy and Me. June 29, 1994.) This remarkable etching, created by the artist in 1991, is hand-signed, dated and numbered in pencil, measures 15 ¾ x 16 5/8 in. (40 x 42.2 cm), unframed and is from the edition of 100 + 25 AP. The print was from the artist’s personal collection and given as a gift to previous owner. It is annotated in the artist’s handwriting at bottom, Happy B Day, Claire. Love from Nancy and Me. June 29, 1994. An impression from this edition is in the permanent collection of MoMA (object number 134.1992).
The Little Heart in the Landscape, 1991
Forma
Técnica
Tamaño
40 x 42 cm
- Pulgadas
- Centímetros
Edición
Precio
Detalles
Artista
Estilos
Drypoint and etching printed in red and black Signed by the artist in pencil, dated and annotated “AP” 15 ¾ x 16 5/8 in. (40 x 42.2 cm), unframed Edition of 100 + 25 AP (annotated in artist’s handwriting at bottom, Happy B Day, Claire. Love from Nancy and Me. June 29, 1994.) This remarkable etching, created by the artist in 1991, is hand-signed, dated and numbered in pencil, measures 15 ¾ x 16 5/8 in. (40 x 42.2 cm), unframed and is from the edition of 100 + 25 AP. The print was from the artist’s personal collection and given as a gift to previous owner. It is annotated in the artist’s handwriting at bottom, Happy B Day, Claire. Love from Nancy and Me. June 29, 1994. An impression from this edition is in the permanent collection of MoMA (object number 134.1992).
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¿Qué es el apropiacionismo?
La apropiación en el arte consiste en el uso de imágenes u objetos preexistentes con poca o ninguna modificación. Esta técnica ha desempeñado un papel importante en diversas formas de arte, incluidas las artes visuales, la música, el teatro y la literatura. En las artes visuales, la apropiación se refiere a la práctica de adoptar, muestrear, reciclar o tomar prestados elementos—o incluso formas enteras—de la cultura visual existente, integrándolos en nuevas obras para crear significado o crítica.