Sam Francis

Untitled, 1984

106.7 X 73 inch

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Ed RUSCHA | Drops | Lithograph available for sale on composition gallery

Details

Kunstenaar

Stijlen

Lithograph in colors on wove paper. Signed by the artist in pencil, dated and numbered 20 x 28 in (51.5 cm x 71.9 cm), unframed. Edition of 90

Artwork Copyright © Ed Ruscha

Ed Ruscha

Drops, 1971

kunstvorm

Medium

Afmeting

50.8 x 71.1   cm
  • Inches
  • Centimeters

Editie

Prijs

Details

Kunstenaar

Stijlen

Lithograph in colors on wove paper. Signed by the artist in pencil, dated and numbered 20 x 28 in (51.5 cm x 71.9 cm), unframed. Edition of 90

Artwork Copyright © Ed Ruscha
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  • Prijs (hoog-laag )
  • Jaar (laag-hoog )
  • Jaar (hoog-laag )
Ed Ruscha, Sponge Puddle, lithograph, mountain range with bold geometric text over a dusky sky

Ed Ruscha

Sponge Puddle, 2015

Editie / Print

Lithografie

USD 42,000 - 50,000

Ed Ruscha, History Kids, 2013, lithograph of a snow-covered mountain with bold white text HISTORY KIDS overlaid on a colorful sky.

Ed Ruscha

History Kids, 2013

Editie / Print

Lithografie

USD 50,000 - 60,000

Ed Ruscha, Wall Rocket, 2013, lithograph featuring bold white text over a mountainous landscape in blue, gray, and yellow tones.

Ed Ruscha

Wall Rocket, 2013

Editie / Print

Lithografie

USD 70,000 - 80,000

Ed Ruscha's Zoot Suit, etching in red with vertically stretched text reading Zoot Suit across two panels, minimalist typography style.

Ed Ruscha

Zoot Suit, 2014

Editie / Print

Ets

USD 15,500

Ed Ruscha, Wen Out For Cigrets N Never Came Back, bronze sculpture shaped like a circular open-ended pipe with inscribed text.

Ed Ruscha

Wen Out For Cigrets N Never Came Back, 2017

Sculptuur / Object

Brons

USD 150,000 - 170,000

Ed Ruscha’s Jet Baby, 2011 lithograph, golden snow-capped mountain with bold white text 'JET BABY,' gradient sky, 28 1/2 x 28 inches.

Ed Ruscha

Jet Baby, 2011

Editie / Print

Lithografie

Contacteer Ons

Ed Ruscha’s Periods, 2013 lithograph, snow-capped mountains with bold black text listing time units, 71.1 x 71.1 cm, signed.

Ed Ruscha

Periods, 2013

Editie / Print

Lithografie

USD 80,000 - 90,000

Ed Ruscha's GOD, 2010 LightJet digital photograph, metallic oval-shaped form with smooth surface, signed edition of 50.

Ed Ruscha

GOD, 2010

Editie / Print

Foto

EUR 6,000

Ed Ruscha's Castiron Calendar print, white industrial-style text on sepia background with stenciled, weathered effect.

Ed Ruscha

Castiron Calendar, 2023

Editie / Print

Gemengde Techniek.

Contacteer Ons

Ed Ruscha's Now, lithograph, shows the word Now in bold letters casting a shadow on a blue-black gradient background.

Ed Ruscha

Now, 1990

Editie / Print

Lithografie

USD 60,000 - 70,000

Ed Ruscha, Evil [Not For Sale], screen print with bold black text EVIL on a vibrant red background.

Ed Ruscha

Evil [Not For Sale], 1973

Editie / Print

Zeefdruk

Contacteer Ons

Ed Ruscha's Cash for Tolls 1, 2014 mixographia print, features rust-textured surface with bold text in block letters, mimicking a corroded metal sign.

Ed Ruscha

Cash For Tolls 1 (from Rusty Signs), 2014

Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

Ed Ruscha's Cash for Tolls 2, 2014 mixographia print, mimics a rusted metal sign with bold text reading CASH FOR TOOLS embossed in block letters.

Ed Ruscha

Cash For Tolls 2 (from Rusty Signs), 2014

Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

Ed Ruscha's Dead End II, 2014 mixographia print, mimics a rusted street sign with bold block letters spelling DEAD END, emphasizing texture and decay.

Ed Ruscha

Dead End II (from Rusty Signs), 2014

Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

Ed Ruscha's Dead End III, 2014 mixographia print, simulates a rusted metal sign with bold block letters spelling DEAD END and textured, weathered surface details.

Ed Ruscha

Dead End III (from Rusty Signs), 2014

Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

Ed Ruscha's For Sale 17 Acres, 2014 mixographia print, depicts a rusted metal sign with bold text reading FOR SALE 17 ACRES embossed on a textured surface.

Ed Ruscha

For Sale 17 Acres (from Rusty Signs), 2014

Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

Ed Ruscha's Sin, lithograph, abstract folded forms and cylinder shapes on gradient background with small red and green sphere.

Ed Ruscha

Sin, 1970

Editie / Print

Lithografie

USD 20,000 - 30,000

Ed Ruscha, Angel, lithograph, the word Angel in soft font over a blue and white gradient background resembling the sky.

Ed Ruscha

Angel, 2014

Editie / Print

Lithografie

USD 14,800

Ed Ruscha, Blue Suds, screen-print of soap bubbles on a blue monochromatic background.

Ed Ruscha

Blue Suds, 1971

Editie / Print

Zeefdruk

USD 9,600

Ed Ruscha's Mysteries, 2021, lithograph featuring bold white text on a red sky background with overlapping yellow and blue text for depth.

Ed Ruscha

Mysteries, 2021

Editie / Print

Lithografie

USD 75,000 - 85,000

Ed Ruscha Ex Libris lithograph, bold white text framed by ornate black design on a red-to-blue gradient background.

Ed Ruscha

Ex Libris, 2018

Editie / Print

Lithografie

USD 6,100

Ed Ruscha Open Book With Worm Holes lithograph showing an open book with scattered small holes across white pages, emphasizing minimalism.

Ed Ruscha

Open Book With Worm Holes, 2012

Editie / Print

Lithografie

USD 12,000

Ed Ruscha diptych relief print, new and old wooden planks, emphasizing texture and contrast, on handmade paper.

Ed Ruscha

New Wood, Old Wood, 2007

Editie / Print

Gemengde Techniek.

USD 13,200

Ed Ruscha Books, a portfolio of five photographs showing close-up views of book spines and pages, mostly black and white with one in gold.

Ed Ruscha

Books, 2001

Editie / Print

Foto

USD 18,000

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Wat is Nieuwe topografie?
Artwork by Bernd & Hilla Becher

Wat is Nieuwe topografie?

New Topographics is een term die in 1975 werd bedacht door curator William Jenkins om een groep fotografen te beschrijven wiens werk zich richtte op formele zwart-witbeelden van stedelijke en industriële landschappen. Jenkins beschreef hun esthetiek aanvankelijk als banaal, maar de fotografen zelf beweerden dat hun composities net zo belangrijk waren als die van natuurlijke landschappen, waarbij de nadruk lag op de schoonheid van alledaagse, door de mens gemaakte omgevingen.

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