Sam Francis

Untitled, 1984

106.7 X 73 inch

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Al Held's Kyoto-wa, woodcut and lithograph, geometric forms with vibrant colors and dynamic lines on cream paper.

Original woodcut and lithograph in colors on Echizen Kozo paper - Signed in pencil, dated and numbered, verso // Kyoto-wa by Al Held, created in 1985, is a limited edition print combining woodcut and lithograph techniques on Echizen Kozo paper. This artwork exemplifies Held’s fascination with geometry and spatial relationships, featuring an arrangement of overlapping geometric forms and dynamic lines. The use of vibrant colors such as yellow, blue, and red within the composition enhances the visual perception of depth and movement. The print’s large size (69.4 cm × 102.2 cm) and its precise, structured design invite viewers to explore the balance and interplay between shapes and space, conveying a sense of energy and dimensionality.

Artwork Copyright © Al Held

Kyoto-wa, 1985

form

Medium

Edition

Original woodcut and lithograph in colors on Echizen Kozo paper - Signed in pencil, dated and numbered, verso // Kyoto-wa by Al Held, created in 1985, is a limited edition print combining woodcut and lithograph techniques on Echizen Kozo paper. This artwork exemplifies Held’s fascination with geometry and spatial relationships, featuring an arrangement of overlapping geometric forms and dynamic lines. The use of vibrant colors such as yellow, blue, and red within the composition enhances the visual perception of depth and movement. The print’s large size (69.4 cm × 102.2 cm) and its precise, structured design invite viewers to explore the balance and interplay between shapes and space, conveying a sense of energy and dimensionality.

Artwork Copyright © Al Held

Al Held

Pradorama, 1991

Limited Edition Print

Lithograph

EUR 4,200

Al Held

Pachinko, 1989

Limited Edition Print

Woodcut

USD 5,500

Al Held

Camerata XII, 1989

Drawing / Watercolor

Watercolor

USD 29,500

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What is geometric abstract art?

Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.

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