Sam Francis

Untitled, 1984

106.7 X 73 inch

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Pachinko

Limited edition lithograph Pradorama by Al Held, 1991, featuring bold geometric shapes and vibrant colors, 74 x 94 cm.

// Al Held's Pradorama (1991) is a limited edition lithograph that measures 74 x 94 cm, exemplifying the artist's mastery of geometric abstraction. The composition is characterized by bold colors and an array of intricate shapes, creating a dynamic visual experience. Held skillfully manipulates spatial relationships and perspective, inviting viewers to explore the interplay of forms within the layered composition. This piece reflects his innovative approach to abstraction and highlights his influence on the development of contemporary art, showcasing his ability to transform simple geometric shapes into engaging and immersive visual narratives.

Artwork Copyright © Al Held

Pradorama, 1991

form

Medium

Edition

// Al Held's Pradorama (1991) is a limited edition lithograph that measures 74 x 94 cm, exemplifying the artist's mastery of geometric abstraction. The composition is characterized by bold colors and an array of intricate shapes, creating a dynamic visual experience. Held skillfully manipulates spatial relationships and perspective, inviting viewers to explore the interplay of forms within the layered composition. This piece reflects his innovative approach to abstraction and highlights his influence on the development of contemporary art, showcasing his ability to transform simple geometric shapes into engaging and immersive visual narratives.

Artwork Copyright © Al Held

Al Held

Pradorama, 1991

Limited Edition Print

Lithograph

EUR 4,200

Al Held

Pachinko, 1989

Limited Edition Print

Woodcut

USD 5,500

Al Held

Camerata XII, 1989

Drawing / Watercolor

Watercolor

USD 29,500

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What is Hard Edge Art?

Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.

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