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// Albert Ràfols-Casamada’s Barcelona-1 (1981) is an etching that embodies his minimalist, abstract style, drawing inspiration from architectural forms. The composition centers on a white rectangular shape, textured with faint, dynamic lines, giving a sense of movement and depth within a stark space. Surrounding this central form is a darker border, marked by intricate crosshatching, creating a contrast that emphasizes the lightness of the inner rectangle. Vertical yellow lines frame the upper section, adding a subtle warmth to the grayscale composition and suggesting architectural pillars or beams. This work is contemplative, evoking both stillness and structure, a reflection of Ràfols-Casamada’s sensitivity to space and form.
Barcelona-1 , 1981
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64 x 50 cm
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Details
Artist
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// Albert Ràfols-Casamada’s Barcelona-1 (1981) is an etching that embodies his minimalist, abstract style, drawing inspiration from architectural forms. The composition centers on a white rectangular shape, textured with faint, dynamic lines, giving a sense of movement and depth within a stark space. Surrounding this central form is a darker border, marked by intricate crosshatching, creating a contrast that emphasizes the lightness of the inner rectangle. Vertical yellow lines frame the upper section, adding a subtle warmth to the grayscale composition and suggesting architectural pillars or beams. This work is contemplative, evoking both stillness and structure, a reflection of Ràfols-Casamada’s sensitivity to space and form.
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Albert Ràfols-Casamada
Portfolio 12th Anniversary Of Galeria Joan Prats , 1988
Limited Edition Print
Lithograph
EUR 500
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
