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11-color silkscreen // Ada 5 from Ada Portfolio 2 by Alex Katz is an 11-color silkscreen print from 2022 that captures the essence of minimalism and intimacy. This large-scale artwork, measuring 54 x 40.5 inches, focuses on a partial, close-up view of Ada’s eye, nose, and the surrounding contours of her face. Katz employs warm golden tones, bold outlines, and subtle shading to highlight the clean, simplified shapes of the composition. The detailed rendering of Ada’s eye contrasts with the smooth, unembellished forms, drawing attention to her expressive gaze. This piece exemplifies Katz’s mastery of blending abstraction and portraiture to evoke timeless beauty and elegance.
Ada 5 from Ada Portfolio 2, 2022
form
Medium
Size
137.2 x 102.9 cm
- Inches
- Centimeters
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- USD
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Details
Artist
Styles
11-color silkscreen // Ada 5 from Ada Portfolio 2 by Alex Katz is an 11-color silkscreen print from 2022 that captures the essence of minimalism and intimacy. This large-scale artwork, measuring 54 x 40.5 inches, focuses on a partial, close-up view of Ada’s eye, nose, and the surrounding contours of her face. Katz employs warm golden tones, bold outlines, and subtle shading to highlight the clean, simplified shapes of the composition. The detailed rendering of Ada’s eye contrasts with the smooth, unembellished forms, drawing attention to her expressive gaze. This piece exemplifies Katz’s mastery of blending abstraction and portraiture to evoke timeless beauty and elegance.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.