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Wall-mounted cutout in 3-panels from shaped powder-coated aluminum and printed with UV cured archival inks and clear coated - Etched signature with number, verso - 60 x 28 in. (152 x 70 cm), each panel // Ariel (cutout) by Alex Katz, created in 2016, is a striking wall-mounted sculpture composed of three panels. Each panel measures 152 x 70 cm and is crafted from shaped powder-coated aluminum, printed with UV cured archival inks, and finished with a clear coat. The work features the silhouette of a woman in a bathing suit, holding a hat in various poses across the three panels. Katz’s minimalistic and graphic approach emphasizes the elegance and poise of the figure, while the use of bold black and white tones adds a sense of timeless sophistication. The etched signature on the verso underscores the authenticity of this limited edition piece.
Ariel (cutout), 2016
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152 x 70 cm
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Wall-mounted cutout in 3-panels from shaped powder-coated aluminum and printed with UV cured archival inks and clear coated - Etched signature with number, verso - 60 x 28 in. (152 x 70 cm), each panel // Ariel (cutout) by Alex Katz, created in 2016, is a striking wall-mounted sculpture composed of three panels. Each panel measures 152 x 70 cm and is crafted from shaped powder-coated aluminum, printed with UV cured archival inks, and finished with a clear coat. The work features the silhouette of a woman in a bathing suit, holding a hat in various poses across the three panels. Katz’s minimalistic and graphic approach emphasizes the elegance and poise of the figure, while the use of bold black and white tones adds a sense of timeless sophistication. The etched signature on the verso underscores the authenticity of this limited edition piece.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.