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Cutout from shaped powder-coated aluminum, printed the same on each side with UV cured archival inks, clear coated, and mounted to white bronze base - Incised with the artist signature on top of base; stamped with edition number and artist & publisher copyright, base underside. // Alex Katz's Departure (Ada) (2017) is a mixed media sculpture made from powder-coated aluminum, showcasing his iconic minimalistic and figurative style. The artwork features a cutout of a woman, presumably Ada, depicted from the back wearing a wide-brimmed hat and casual attire. The figure is printed on both sides using UV cured archival inks, giving it a consistent appearance from all angles. The piece is mounted on a white bronze base, signed by the artist and inscribed with the edition number. Katz’s use of simplified forms and flat color emphasizes the essence of the figure, capturing a fleeting moment in a sleek, modern aesthetic.
Departure (Ada), 2017
form
Medium
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56 x 22 X 6 cm
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Details
Artist
Styles
Cutout from shaped powder-coated aluminum, printed the same on each side with UV cured archival inks, clear coated, and mounted to white bronze base - Incised with the artist signature on top of base; stamped with edition number and artist & publisher copyright, base underside. // Alex Katz's Departure (Ada) (2017) is a mixed media sculpture made from powder-coated aluminum, showcasing his iconic minimalistic and figurative style. The artwork features a cutout of a woman, presumably Ada, depicted from the back wearing a wide-brimmed hat and casual attire. The figure is printed on both sides using UV cured archival inks, giving it a consistent appearance from all angles. The piece is mounted on a white bronze base, signed by the artist and inscribed with the edition number. Katz’s use of simplified forms and flat color emphasizes the essence of the figure, capturing a fleeting moment in a sleek, modern aesthetic.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
