
Details
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Archival pigment inks on Crane Museo Max - 365 gsm fine art paper - Edition of 100; signed and numbered in pencil // Rosebud by Alex Katz, a limited edition archival print from 2019, utilizes pigment inks on Crane Museo Max fine art paper, measuring 112 x 84 cm. The piece showcases Katz's signature minimalist style with bold, simplified floral forms. The composition features three stylized red roses against a muted backdrop, emphasizing the elegance and graphic quality of the flowers. Katz’s clean lines and flat areas of vibrant color transform the everyday subject into a captivating visual experience, inviting viewers to appreciate the subtle beauty and stylized abstraction of nature within his modern aesthetic.
Rosebud, 2019
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Medium
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112 x 84 cm
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Details
Artist
Styles
Archival pigment inks on Crane Museo Max - 365 gsm fine art paper - Edition of 100; signed and numbered in pencil // Rosebud by Alex Katz, a limited edition archival print from 2019, utilizes pigment inks on Crane Museo Max fine art paper, measuring 112 x 84 cm. The piece showcases Katz's signature minimalist style with bold, simplified floral forms. The composition features three stylized red roses against a muted backdrop, emphasizing the elegance and graphic quality of the flowers. Katz’s clean lines and flat areas of vibrant color transform the everyday subject into a captivating visual experience, inviting viewers to appreciate the subtle beauty and stylized abstraction of nature within his modern aesthetic.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.