
Details
Artist
Styles
Silkscreen in thirty-seven colors // Alex Katz's Sarah (2011) is a silkscreen print, meticulously created with thirty-seven colors, portraying a dancer in a minimalist and elegant style. The figure is set against a stark black background, emphasizing her poised and graceful pose. Katz’s characteristic flat planes of color and simplified forms highlight the dancer's movements, focusing on the elegance and fluidity of her posture. The soft hues of the dancer's leotard contrast with her skin tones, creating a balanced and visually engaging composition. This piece exemplifies Katz's ability to capture the essence of his subjects while maintaining a modern and refined aesthetic.
Sarah, 2011
form
Medium
Size
121.9 x 86.4 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Silkscreen in thirty-seven colors // Alex Katz's Sarah (2011) is a silkscreen print, meticulously created with thirty-seven colors, portraying a dancer in a minimalist and elegant style. The figure is set against a stark black background, emphasizing her poised and graceful pose. Katz’s characteristic flat planes of color and simplified forms highlight the dancer's movements, focusing on the elegance and fluidity of her posture. The soft hues of the dancer's leotard contrast with her skin tones, creating a balanced and visually engaging composition. This piece exemplifies Katz's ability to capture the essence of his subjects while maintaining a modern and refined aesthetic.
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Limited Edition Print
Screen-print
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.