
Details
Artist
Styles
Lithograph in colors on Arches paper Signed and numbered in pencil Alexander Calder’s Boomerang (1974) is a vibrant lithograph exemplifying his mastery of bold color and dynamic composition. The artwork features an interplay of organic, biomorphic shapes in red, yellow, blue, and black, floating harmoniously across the paper. Calder’s signature use of primary colors and abstract forms evokes a sense of movement and balance, reminiscent of his famous mobiles. The overlapping and layering of colors create depth, while the hand-drawn texture adds an energetic quality. Created in an edition of 125 and signed in pencil, Boomerang is a striking example of Calder’s ability to translate his sculptural sensibilities into two-dimensional works.
Boomerang, 1974
form
Medium
Size
110.5 x 76.2 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Lithograph in colors on Arches paper Signed and numbered in pencil Alexander Calder’s Boomerang (1974) is a vibrant lithograph exemplifying his mastery of bold color and dynamic composition. The artwork features an interplay of organic, biomorphic shapes in red, yellow, blue, and black, floating harmoniously across the paper. Calder’s signature use of primary colors and abstract forms evokes a sense of movement and balance, reminiscent of his famous mobiles. The overlapping and layering of colors create depth, while the hand-drawn texture adds an energetic quality. Created in an edition of 125 and signed in pencil, Boomerang is a striking example of Calder’s ability to translate his sculptural sensibilities into two-dimensional works.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.