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Lithograph in colors on wove paper - Signed and numbered in pencil - Published by Maeght, Paris. // Alexander Calder's Papouse (1969) is a bold and energetic lithograph that showcases his mastery of form, color, and movement. The composition features a large red semicircle accented with dynamic blue and red vertical stripes, surrounded by thick, black and white geometric patterns and swirling shapes. The contrasting colors and strong lines give the piece a rhythmic quality, evoking a sense of motion that is both playful and structured. The high contrast of red, blue, and black on a predominantly white background intensifies the visual impact, drawing the viewer’s eye across the composition. Measuring 29 x 42.5 inches, this lithograph was published by Maeght in Paris and is signed and numbered in pencil by Calder in an edition of 75. Papouse embodies Calder’s ability to transform simple shapes into vibrant, kinetic art.
Papouse, 1969
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73.7 x 108 cm
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Details
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Lithograph in colors on wove paper - Signed and numbered in pencil - Published by Maeght, Paris. // Alexander Calder's Papouse (1969) is a bold and energetic lithograph that showcases his mastery of form, color, and movement. The composition features a large red semicircle accented with dynamic blue and red vertical stripes, surrounded by thick, black and white geometric patterns and swirling shapes. The contrasting colors and strong lines give the piece a rhythmic quality, evoking a sense of motion that is both playful and structured. The high contrast of red, blue, and black on a predominantly white background intensifies the visual impact, drawing the viewer’s eye across the composition. Measuring 29 x 42.5 inches, this lithograph was published by Maeght in Paris and is signed and numbered in pencil by Calder in an edition of 75. Papouse embodies Calder’s ability to transform simple shapes into vibrant, kinetic art.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.