
Details
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Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus IV (1974) presents an assemblage of abstract, playful figures etched with minimalistic lines, conveying a lively gathering. The scene is filled with various characters, each uniquely expressive in their body language and gestures, creating a sense of interaction and camaraderie. Figures range from skeletal, mask-like faces to more whimsical, cartoonish characters, evoking a surreal, dream-like atmosphere. Part of Calder's Santa Claus suite, this etching on Richard de Bas paper was published by Editions de L'Herne in Paris. The work is signed by Calder and produced in a limited edition of 175, measuring 20 1/2 x 26 3/4 inches. Calder’s line work skillfully captures the essence of movement and emotion, bringing life to a seemingly simplistic composition.
Santa Claus IV, 1974
form
Medium
Size
52.1 x 67.9 cm
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- Centimeters
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Details
Artist
Styles
Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus IV (1974) presents an assemblage of abstract, playful figures etched with minimalistic lines, conveying a lively gathering. The scene is filled with various characters, each uniquely expressive in their body language and gestures, creating a sense of interaction and camaraderie. Figures range from skeletal, mask-like faces to more whimsical, cartoonish characters, evoking a surreal, dream-like atmosphere. Part of Calder's Santa Claus suite, this etching on Richard de Bas paper was published by Editions de L'Herne in Paris. The work is signed by Calder and produced in a limited edition of 175, measuring 20 1/2 x 26 3/4 inches. Calder’s line work skillfully captures the essence of movement and emotion, bringing life to a seemingly simplistic composition.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.