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Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus V (1974) captures two abstracted figures in a minimalistic line drawing, seated and gesturing towards one another in a seemingly animated exchange. The figure on the left raises an arm expressively, while the other figure sits calmly, suggesting an ongoing interaction filled with both humor and mystery. Part of Calder's Santa Claus suite, this etching was executed on Richard de Bas paper and published by Editions de L'Herne in Paris. The piece is signed by Calder and part of a limited edition of 175, measuring 20 1/2 x 26 3/4 inches. Calder’s simple line work emphasizes expression and movement, inviting viewers to interpret the narrative within the abstract forms.
Santa Claus V, 1974
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52.1 x 67.9 cm
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Details
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Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus V (1974) captures two abstracted figures in a minimalistic line drawing, seated and gesturing towards one another in a seemingly animated exchange. The figure on the left raises an arm expressively, while the other figure sits calmly, suggesting an ongoing interaction filled with both humor and mystery. Part of Calder's Santa Claus suite, this etching was executed on Richard de Bas paper and published by Editions de L'Herne in Paris. The piece is signed by Calder and part of a limited edition of 175, measuring 20 1/2 x 26 3/4 inches. Calder’s simple line work emphasizes expression and movement, inviting viewers to interpret the narrative within the abstract forms.
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Limited Edition Print
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Limited Edition Print
Lithograph
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Alexander Calder
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Lithograph
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Alexander Calder
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Limited Edition Print
Lithograph
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Limited Edition Print
Lithograph
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.