
Details
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Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus I (1974) is a strikingly minimalistic etching from his Santa Claus suite, illustrating a skeletal, abstract figure with exaggerated facial features and an expressive stance. This figure, drawn with Calder's characteristic line work, appears animated in its simplicity, conveying a sense of movement and personality despite the sparse detailing. Created on Richard de Bas paper, this etching is part of an edition of 175, published by Editions de L'Herne in Paris. Calder’s unique style brings a whimsical yet slightly eerie quality to this piece, blending humor with an almost primal artistic expression. Hand-signed by the artist, Santa Claus I reflects Calder’s playful approach to form, encapsulated in a minimalist composition.
Santa Claus VIII, 1974
form
Medium
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67.9 x 52.1 cm
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Details
Artist
Styles
Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus I (1974) is a strikingly minimalistic etching from his Santa Claus suite, illustrating a skeletal, abstract figure with exaggerated facial features and an expressive stance. This figure, drawn with Calder's characteristic line work, appears animated in its simplicity, conveying a sense of movement and personality despite the sparse detailing. Created on Richard de Bas paper, this etching is part of an edition of 175, published by Editions de L'Herne in Paris. Calder’s unique style brings a whimsical yet slightly eerie quality to this piece, blending humor with an almost primal artistic expression. Hand-signed by the artist, Santa Claus I reflects Calder’s playful approach to form, encapsulated in a minimalist composition.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.