Sam Francis

Untitled, 1984

106.7 X 73 inch

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Dogs (diptych in Rust and Crimson)

Alison Wilding's Dogs (Diptych, Pale Tones), 2005 monotype, features soft abstract forms with muted grey and brown tones on two panels.

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Etching and monotype - 2 plates of 140 x 100 cm. each Printed on Hahnemuhle, 300 gr. Total size 140 x 200 cm. - e/u (e?preuve unique) 8/8 // Dogs (Diptych, Pale Tones) by Alison Wilding is a monotype and etching created in 2005, characterized by its soft, muted tones and abstract forms. This diptych, composed of two large panels, each measuring 140 x 100 cm, features broad, sweeping strokes and layered shapes that suggest a mysterious, almost dreamlike landscape. The pale colors, dominated by shades of grey, white, and soft brown, create a quiet, contemplative mood. The composition’s abstract forms evoke fluidity and ambiguity, leaving space for viewers to interpret the imagery. Wilding's use of Hahnemuhle paper and unique printing techniques lends a delicate texture to the surface, enhancing the ethereal quality of the work. Limited to an edition of eight unique impressions, this piece demonstrates Wilding’s skill in balancing abstraction with a hint of representational depth.

Artwork Copyright © Alison Wilding

Alison Wilding

Dogs (diptych, pale tones), 2005

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140 x 200   cm
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Details

Artist

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Etching and monotype - 2 plates of 140 x 100 cm. each Printed on Hahnemuhle, 300 gr. Total size 140 x 200 cm. - e/u (e?preuve unique) 8/8 // Dogs (Diptych, Pale Tones) by Alison Wilding is a monotype and etching created in 2005, characterized by its soft, muted tones and abstract forms. This diptych, composed of two large panels, each measuring 140 x 100 cm, features broad, sweeping strokes and layered shapes that suggest a mysterious, almost dreamlike landscape. The pale colors, dominated by shades of grey, white, and soft brown, create a quiet, contemplative mood. The composition’s abstract forms evoke fluidity and ambiguity, leaving space for viewers to interpret the imagery. Wilding's use of Hahnemuhle paper and unique printing techniques lends a delicate texture to the surface, enhancing the ethereal quality of the work. Limited to an edition of eight unique impressions, this piece demonstrates Wilding’s skill in balancing abstraction with a hint of representational depth.

Artwork Copyright © Alison Wilding
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Alison Wilding's Rising resin sculpture with translucent, tiered structure and smoky, mist-like interior textures.

Alison Wilding

Rising, 2001

Sculpture / Object

Resin

GBP 4,800

Alison Wilding's Dogs (Diptych, Pale Tones), 2005 monotype, features soft abstract forms with muted grey and brown tones on two panels.

Alison Wilding

Dogs (diptych, Pale Tones), 2005

Limited Edition Print

Monotype

EUR 7,250

Alison Wilding's Dogs (Diptych in Rust and Crimson), monotype etching with abstract strokes in rust, crimson, and gray on Hahnemühle paper.

Alison Wilding

Dogs (diptych In Rust And Crimson), 2005

Limited Edition Print

Monotype

EUR 7,250

Alison Wilding's Dogs (Diptych, Earth Tones), a large-scale abstract diptych in earthy browns and ochres, gestural and flowing forms.

Alison Wilding

Dogs (Diptych, Earth Tones), 2005

Limited Edition Print

Monotype

EUR 7,250

Alison Wilding's Dogs (diptych), 2005, large-scale monotype and etching with earthy colors and abstract organic shapes on green background.

Alison Wilding

Dogs (diptych), 2005

Limited Edition Print

Monotype

EUR 7,250

Alison Wilding's Chamber Works, 2010, portfolio of six prints, aquatint and woodcut, abstract organic shapes with varied textures and colors.

Alison Wilding

Chamber Works, 2010

Limited Edition Print

Woodcut

EUR 6,750

Alison Wilding's Hole, 2010 woodcut and aquatint, features black and white striped form on a grey textured background.

Alison Wilding

Hole, 2010

Limited Edition Print

Woodcut

EUR 1,300

Alison Wilding's Swallow, woodcut and aquatint with dark woodgrain forms on a pale background, abstract and organic on Zerkall-Butten paper.

Alison Wilding

Swallow, 2010

Limited Edition Print

Woodcut

EUR 1,300

Alison Wilding's Ziggurat, a woodcut and aquatint print with blue stepped form and organic reddish shape above, geometric and textured.

Alison Wilding

Ziggurat, 2010

Limited Edition Print

Woodcut

EUR 1,300

Alison Wilding's Beach Fork, 2010, limited edition woodcut and aquatint with overlapping yellow and beige forked shapes on a soft background.

Alison Wilding

Beach Fork, 2010

Limited Edition Print

Woodcut

EUR 1,300

Alison Wilding's Glider, 2010, aquatint and woodcut print with two intersecting gray forms and flowing lines on Zerkall-Butten paper.

Alison Wilding

Glider, 2010

Limited Edition Print

Woodcut

EUR 1,300

Alison Wilding's Skin, 2010 woodcut and aquatint, features blue textured shape over dark abstract forms resembling mountains.

Alison Wilding

Skin, 2010

Limited Edition Print

Woodcut

EUR 1,300

Alison Wilding's Out There (Spin), aquatint print with dark circular shape and translucent yellow-green center, abstract on Zerkall-Bütten paper.

Alison Wilding

Out There (Spin), 2010

Limited Edition Print

Aquatint

EUR 2,150

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What is Process Art?
Artwork by Bruce Nauman

What is Process Art?

Process Art is an artistic movement and creative approach where the focus is on the act of creation rather than the final product. The term process in this context refers to the various stages of art-making, including gathering, sorting, associating, and organizing materials and actions. This movement emphasizes the artistic journey and the human expression involved in creating art, rather than the finished piece itself. Process Art is driven by inherent motivation, intentionality, and the rationale behind the actions, viewing the creative process as the true artwork.

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Alison Wilding's Dogs (Diptych

Alison Wilding

Dogs (diptych, Pale Tones), 2005

Limited Edition Print

Monotype

EUR 7,250

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