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Edition of PrintersProof2 + 1AP - Hand Printed Stone Lithograph - Hand-signed by artist - In excellent condition // This untitled lithograph by Allan D'Arcangelo, created in 1966, is a minimalist and surreal exploration of form and perspective. The central element is a large, white geometric square that resembles a highway sign or road barrier, set against a dark roadway that recedes into the distance. The scene is framed by a sky of vibrant blue with blurred trees or landscape elements in the background, suggesting motion or a fleeting moment. A red triangular shape, partially obscured and cutting into the white square, adds a striking contrast and focal point to the composition. D'Arcangelo’s work often explores themes of American highways and landscapes, transforming familiar road signs into symbolic, almost abstract forms. This lithograph captures a sense of stillness within movement, invoking a meditative reflection on travel and the open road.
Title Unknown, 1966
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66 x 66 cm
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Details
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Edition of PrintersProof2 + 1AP - Hand Printed Stone Lithograph - Hand-signed by artist - In excellent condition // This untitled lithograph by Allan D'Arcangelo, created in 1966, is a minimalist and surreal exploration of form and perspective. The central element is a large, white geometric square that resembles a highway sign or road barrier, set against a dark roadway that recedes into the distance. The scene is framed by a sky of vibrant blue with blurred trees or landscape elements in the background, suggesting motion or a fleeting moment. A red triangular shape, partially obscured and cutting into the white square, adds a striking contrast and focal point to the composition. D'Arcangelo’s work often explores themes of American highways and landscapes, transforming familiar road signs into symbolic, almost abstract forms. This lithograph captures a sense of stillness within movement, invoking a meditative reflection on travel and the open road.
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What is geometric abstract art?
Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.