
Details
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Styles
Lithographs on BFK Rives watermarked paper. Top section signed Allen and lower sections signed Jone. Dated and numbered from the limited edition of 75 , printed by Emile Matthieu, Zurich and published by Editions Alecto, London and Arts Moderna. Referenced in Lloyd // Life Class VI by Allen Jones is a limited-edition lithograph created in 1968, printed on BFK Rives watermarked paper. This artwork is split into two distinct sections, combining elements of realism and abstraction. The upper section portrays a partially abstracted figure of a woman, with bold lines and vivid colors suggesting her form without fully defining it, evoking a sense of ambiguity. In contrast, the lower section focuses on the woman's legs in a more detailed, photorealistic style, dressed in bright blue tights that pop against the vibrant orange background. The composition explores themes of fragmentation and sensuality, characteristic of Jones' work in the 1960s, where he examined the human figure through dynamic, unconventional representations.
Life Class VI, 1968
form
Medium
Size
82 x 56 cm
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Details
Artist
Styles
Lithographs on BFK Rives watermarked paper. Top section signed Allen and lower sections signed Jone. Dated and numbered from the limited edition of 75 , printed by Emile Matthieu, Zurich and published by Editions Alecto, London and Arts Moderna. Referenced in Lloyd // Life Class VI by Allen Jones is a limited-edition lithograph created in 1968, printed on BFK Rives watermarked paper. This artwork is split into two distinct sections, combining elements of realism and abstraction. The upper section portrays a partially abstracted figure of a woman, with bold lines and vivid colors suggesting her form without fully defining it, evoking a sense of ambiguity. In contrast, the lower section focuses on the woman's legs in a more detailed, photorealistic style, dressed in bright blue tights that pop against the vibrant orange background. The composition explores themes of fragmentation and sensuality, characteristic of Jones' work in the 1960s, where he examined the human figure through dynamic, unconventional representations.
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What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.