Sam Francis

Untitled, 1984

106.7 X 73 inch

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Fotograf, Düsseldorf

Andreas Gursky's Untitled XV 2005 lithograph with a contrast between beige earth and green striped grass, scattered figures visible.

Offset color lithograph, hand-signed, limited // Untitled XV 2005 by Andreas Gursky is a 2005 offset color lithograph that combines elements of abstraction and aerial perspective to present a unique view of a field or sports pitch. The composition contrasts a vast beige expanse with a meticulously maintained green striped area on the right, creating a strong visual dichotomy. The transition from raw earth to manicured grass is punctuated by small scattered figures, adding scale and depth to the scene. Gursky’s characteristic focus on large-scale, ordered spaces evokes themes of human intervention in nature and the beauty of symmetry within landscape. This signed print is a powerful study of spatial division and precision.

Artwork Copyright © Andreas Gursky

Untitled XV 2005, 2005

form

Medium

Edition

Offset color lithograph, hand-signed, limited // Untitled XV 2005 by Andreas Gursky is a 2005 offset color lithograph that combines elements of abstraction and aerial perspective to present a unique view of a field or sports pitch. The composition contrasts a vast beige expanse with a meticulously maintained green striped area on the right, creating a strong visual dichotomy. The transition from raw earth to manicured grass is punctuated by small scattered figures, adding scale and depth to the scene. Gursky’s characteristic focus on large-scale, ordered spaces evokes themes of human intervention in nature and the beauty of symmetry within landscape. This signed print is a powerful study of spatial division and precision.

Artwork Copyright © Andreas Gursky

Andreas Gursky

Fotograf, Düsseldorf, 1988

Photography

C-Print

Artwork On Hold

Andreas Gursky

Untitled XV 2005, 2005

Limited Edition Print

Lithograph

Currently Not Available

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What is the Dusseldorf school of photography?

The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.

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