Sam Francis

Untitled, 1984

106.7 X 73 inch

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Flash - November 22, 1963, II.37

Andy Warhol's Flash - November 22, 1963, 1968, screenprint on smooth wove paper; blurred portrait of John F. Kennedy, signed and numbered.

Color screenprint on smooth wove paper - Signed and numbered in blue ball-point pen verso - Printed by Aetna Silkscreen Product, Inc., New York, - Published by Racolin Press, Inc., Briarcliff Manor, New York, // Andy Warhol's Flash - November 22, 1963 (1968) is a poignant color screenprint that reflects his fascination with mass media and celebrity culture, particularly surrounding political events. This work, part of a series responding to the assassination of President John F. Kennedy, features a blurred and layered image of Kennedy’s face. The hazy, almost ghostly quality of the image, achieved through soft shades and dot patterns, gives the work a sense of fading memory or elusive recollection, underscoring the ephemeral nature of public figures as mediated by the press. Warhol’s choice to use a minimal palette and his characteristic screenprint style accentuates the detachment and distance of media portrayal. Printed by Aetna Silkscreen Product, Inc., and published by Racolin Press, Inc., this piece is from an edition of 200, signed and numbered on the verso. Flash - November 22, 1963 captures Warhol’s commentary on the intersection of tragedy, media, and iconography.

Artwork Copyright © Andy Warhol

Flash - November 22, 1963, II.38, 1968

form

Medium

Edition

Color screenprint on smooth wove paper - Signed and numbered in blue ball-point pen verso - Printed by Aetna Silkscreen Product, Inc., New York, - Published by Racolin Press, Inc., Briarcliff Manor, New York, // Andy Warhol's Flash - November 22, 1963 (1968) is a poignant color screenprint that reflects his fascination with mass media and celebrity culture, particularly surrounding political events. This work, part of a series responding to the assassination of President John F. Kennedy, features a blurred and layered image of Kennedy’s face. The hazy, almost ghostly quality of the image, achieved through soft shades and dot patterns, gives the work a sense of fading memory or elusive recollection, underscoring the ephemeral nature of public figures as mediated by the press. Warhol’s choice to use a minimal palette and his characteristic screenprint style accentuates the detachment and distance of media portrayal. Printed by Aetna Silkscreen Product, Inc., and published by Racolin Press, Inc., this piece is from an edition of 200, signed and numbered on the verso. Flash - November 22, 1963 captures Warhol’s commentary on the intersection of tragedy, media, and iconography.

Artwork Copyright © Andy Warhol

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What is late modernism?

Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.

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