Sam Francis

Untitled, 1984

106.7 X 73 inch

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Ladies and Gentlemen, FS II.128

Andy Warhol’s Hammer and Sickle: One Plate, 1977 screen print of abstracted hammer and sickle symbols in bold black lines on white background.

Details

Artist

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Screenprint, on Strathmore paper, the full sheet. - An unsigned trial proof (the regular edition was 50 and 10 artist's proofs), with the Estate of Andy Warhol and the Visual Arts Foundation inkstamps on the reverse, initialed 'T.J.H.' by Timothy J. Hunt of the Andy Warhol Foundation and annotated '069A UT.001' in pencil on the reverse, accompanied by a certificate of authenticity issued by the Andy Warhol Foundation for the Visual Arts, New York. // Andy Warhol’s Hammer and Sickle: One Plate (F. & S. 161) (1977) is part of his Hammer and Sickle series, which explores the symbolism of the communist emblem within the context of Warhol’s pop art style. This screen print, rendered in bold, black lines on Strathmore paper, presents a simplified and abstract depiction of a hammer and sickle, tools that are traditionally associated with labor and communism. Warhol’s treatment of the symbol, often seen in repeated and decontextualized forms, reflects his exploration of mass production, commodification, and the shifting meanings of symbols in different cultural contexts. In this unsigned trial proof, Warhol transforms a powerful political image into a minimalist and somewhat neutralized composition, highlighting the distance between symbolism and consumer culture. The work is accompanied by authentication from the Andy Warhol Foundation for the Visual Arts, signed by Timothy J. Hunt.

Artwork Copyright © Andy Warhol

Andy Warhol

Hammer and Sickle: one plate (see F. & S. 161), 1977

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76.5 x 101.6   cm
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Details

Artist

Styles

Screenprint, on Strathmore paper, the full sheet. - An unsigned trial proof (the regular edition was 50 and 10 artist's proofs), with the Estate of Andy Warhol and the Visual Arts Foundation inkstamps on the reverse, initialed 'T.J.H.' by Timothy J. Hunt of the Andy Warhol Foundation and annotated '069A UT.001' in pencil on the reverse, accompanied by a certificate of authenticity issued by the Andy Warhol Foundation for the Visual Arts, New York. // Andy Warhol’s Hammer and Sickle: One Plate (F. & S. 161) (1977) is part of his Hammer and Sickle series, which explores the symbolism of the communist emblem within the context of Warhol’s pop art style. This screen print, rendered in bold, black lines on Strathmore paper, presents a simplified and abstract depiction of a hammer and sickle, tools that are traditionally associated with labor and communism. Warhol’s treatment of the symbol, often seen in repeated and decontextualized forms, reflects his exploration of mass production, commodification, and the shifting meanings of symbols in different cultural contexts. In this unsigned trial proof, Warhol transforms a powerful political image into a minimalist and somewhat neutralized composition, highlighting the distance between symbolism and consumer culture. The work is accompanied by authentication from the Andy Warhol Foundation for the Visual Arts, signed by Timothy J. Hunt.

Artwork Copyright © Andy Warhol
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In The Bottom Of My Garden IV.101A, 1956

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Andy Warhol's Mao (F & S II.95) screenprint, vibrant green and pink, depicting Chairman Mao with sketchy black lines.

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Limited Edition Print

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GBP 190,000 - 210,000

Andy Warhol's Marilyn (F. & S. 29), 1967 screen print, stylized Marilyn Monroe portrait in bold pink, orange, and blue.

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Limited Edition Print

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Andy Warhol’s Mao (F. & S. II.93) (1972), silkscreen. Green face, pink uniform, and abstract brushstrokes overlaid on a muted blue background.

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Limited Edition Print

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EUR 75,000 - 90,000

Andy Warhol Flowers, II.64, 1970 screenprint, vibrant pink, blue, green, and peach flowers on a textured background.

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Flowers (FS II.64), 1970

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Andy Warhol, Mick Jagger #140, screenprint with stylized portrait of Mick Jagger using bold colors and abstract shapes on Arches paper.

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Mick Jagger #140, 1975

Limited Edition Print

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Andy Warhol's Mao (F. & S. II.97), silkscreen print, depicts a vibrant portrait of Mao Zedong with bold colors and graphic style.

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Mao (F. & S. II.97), 1972

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USD 70,000 - 85,000

Andy Warhol's Mick Jagger (FS 142) 1975 screen-print showing Mick Jagger's portrait with layered colors, textures, and expressive lines, signed by Jagger and Warhol.

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USD 8,900

Andy Warhol's Flash - November 22, 1963, 1968, screenprint on smooth wove paper; blurred portrait of John F. Kennedy, signed and numbered.

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Flash - November 22, 1963, II.38, 1968

Limited Edition Print

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Andy WARHOL | Flash - November 22, 1963, II.37 | Screen-print available for sale on composition gallery

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Flash - November 22, 1963, II.37, 1968

Limited Edition Print

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USD 9,600

Andy Warhol's Queen Margrethe II of Denmark, 1985 screen-print depicting the queen in profile with a crown and pearl necklace

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Limited Edition Print

Screen-print

USD 53,000

Andy Warhol's Wild Raspberries IV.130A, 1959, lithograph with watercolor showing a whimsical pink tiered cake decorated with hearts.

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Limited Edition Print

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USD 7,200

Andy Warhol's U.N. Stamp II.185, offset lithograph featuring bold abstract shapes in blue and magenta, with an international stamp, symbolizing unity.

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Limited Edition Print

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USD 9,600

Andy Warhol's Ingrid With Hat, screen print of Ingrid Bergman in bold colors with a wide-brimmed hat against a bright blue background.

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Limited Edition Print

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USD 100,000 - 110,000

Andy Warhol's Cover from À la recherche du shoe perdu, offset lithograph with red shoes highlighted among black line drawings.

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Limited Edition Print

Mixed Media

USD 6,800

Andy Warhol's Self-Portrait, 1978 inkjet print, shows a stylized face with black lines, soft pink, and bold purple shapes contrasting.

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Limited Edition Print

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USD 6,950

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What is Comic Strip Art?
Artwork by Raymond Pettibon

What is Comic Strip Art?

Comic strip art refers to artwork that utilizes the subject matter and commercial printing techniques found in comic strips. In the 1960s, a group of artists began creating paintings that incorporated Ben-Day dots—commonly used in comics and advertising—to produce highly graphic designs in bright colors, using traditional art media.

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