Sam Francis

Untitled, 1984

106.7 X 73 inch

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Sex Parts II.174

Andy Warhol Sex Parts II.177 screen print with rough black and white lines depicting an abstract, intimate form on HMP paper.

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Screenprint on HMP paper // Andy Warhol’s Sex Parts II.177 (1978) is a provocative screen print that forms part of his exploration into intimate and often controversial themes. Printed on HMP paper, the black and white composition uses rough, gestural lines to depict an abstract, sensual form. The close-up view and expressive mark-making create a sense of intimacy, challenging traditional boundaries between art and eroticism. The work reflects Warhol’s interest in the human body and his ability to merge elements of Pop Art with personal, sometimes taboo, subjects, emphasizing his role as a boundary-pushing figure in contemporary art.

Artwork Copyright © Andy Warhol

Andy Warhol

Sex Parts II.177, 1978

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78.7 x 58.7   cm
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Details

Artist

Styles

Screenprint on HMP paper // Andy Warhol’s Sex Parts II.177 (1978) is a provocative screen print that forms part of his exploration into intimate and often controversial themes. Printed on HMP paper, the black and white composition uses rough, gestural lines to depict an abstract, sensual form. The close-up view and expressive mark-making create a sense of intimacy, challenging traditional boundaries between art and eroticism. The work reflects Warhol’s interest in the human body and his ability to merge elements of Pop Art with personal, sometimes taboo, subjects, emphasizing his role as a boundary-pushing figure in contemporary art.

Artwork Copyright © Andy Warhol
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What is appropriation?
Artwork by Shepard Fairey

What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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