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Paper: Mandeure's Chiffon; plate size: 34'5 x 50 cm.; artwork size: 57'5 x 77'7 cm. - In perfect condition - Published by Maeght, Paris. Cataloging number: 229. Listed on page 138 of Tàpies. Graphic work; 1947-1972. Editorial Gustavo Gili. 1973. // Le Tableau by Antoni Tàpies, created in 1970, is an etching on Mandeure's Chiffon paper, produced in a limited edition of 75 copies and published by Maeght in Paris. This artwork centers on a small, rectangular black area within a larger white space, creating a striking contrast. In the black section, a series of white, stitch-like markings crisscross horizontally and diagonally, resembling sutures or scars. The simplicity of the composition, with its high contrast and restrained color palette, evokes themes of repair, resilience, and the passage of time. The texture and tactile quality of Tàpies' etched lines add depth, inviting viewers to interpret the markings as symbols of healing or fragmentation. Le Tableau is listed in Tàpies' catalog raisonné, underscoring its significance within his exploration of abstraction and symbolism.
Le Tableau, 1970
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34.5 x 50 cm
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Details
Artist
Styles
Paper: Mandeure's Chiffon; plate size: 34'5 x 50 cm.; artwork size: 57'5 x 77'7 cm. - In perfect condition - Published by Maeght, Paris. Cataloging number: 229. Listed on page 138 of Tàpies. Graphic work; 1947-1972. Editorial Gustavo Gili. 1973. // Le Tableau by Antoni Tàpies, created in 1970, is an etching on Mandeure's Chiffon paper, produced in a limited edition of 75 copies and published by Maeght in Paris. This artwork centers on a small, rectangular black area within a larger white space, creating a striking contrast. In the black section, a series of white, stitch-like markings crisscross horizontally and diagonally, resembling sutures or scars. The simplicity of the composition, with its high contrast and restrained color palette, evokes themes of repair, resilience, and the passage of time. The texture and tactile quality of Tàpies' etched lines add depth, inviting viewers to interpret the markings as symbols of healing or fragmentation. Le Tableau is listed in Tàpies' catalog raisonné, underscoring its significance within his exploration of abstraction and symbolism.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
