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// Antoni Tàpies' Llambrec-8 (1975) is a lithograph that captures his characteristic use of expressive, gestural marks and textured abstraction. The composition is dominated by a bold, thick black rectangle, overlaid with a white, rough X that interrupts the dark field. Within the black space, subtle scratches and tally-like markings appear, adding a sense of rawness and depth. Tàpies’ work often explores themes of materiality and the passage of time, using symbolic marks to evoke a sense of wear and memory. This piece invites contemplation on the resilience of surfaces and the traces left by interaction, embodying the artist’s meditative and introspective approach to abstraction.
Llambrec-10 , 1975
form
Medium
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76 x 56 cm
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Details
Artist
Styles
// Antoni Tàpies' Llambrec-8 (1975) is a lithograph that captures his characteristic use of expressive, gestural marks and textured abstraction. The composition is dominated by a bold, thick black rectangle, overlaid with a white, rough X that interrupts the dark field. Within the black space, subtle scratches and tally-like markings appear, adding a sense of rawness and depth. Tàpies’ work often explores themes of materiality and the passage of time, using symbolic marks to evoke a sense of wear and memory. This piece invites contemplation on the resilience of surfaces and the traces left by interaction, embodying the artist’s meditative and introspective approach to abstraction.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
