
Details
Artist
Styles
From the rare limited edition of 200 - Original lithograph in colors on paper - Hand signed and numbered by Lindstrom // Komposition by Bengt Lindström is a vivid lithograph from 1976, showcasing the artist's bold, expressive use of color and form. In this composition, two abstract figures—one in deep blue and the other in bright red—are entangled in an intense, almost confrontational interaction. The figure in blue, with glowing eyes and primitive, mask-like features, appears to dominate the red figure beneath it, creating a sense of power struggle or tension. Surrounding shades of green and purple add depth, enhancing the dramatic intensity of the scene. Lindström’s characteristic, almost primal style imbues the artwork with an emotional rawness, inviting viewers to interpret themes of conflict, dominance, and vulnerability.
Komposition, 1976
form
Medium
Size
54.6 x 71.4 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
From the rare limited edition of 200 - Original lithograph in colors on paper - Hand signed and numbered by Lindstrom // Komposition by Bengt Lindström is a vivid lithograph from 1976, showcasing the artist's bold, expressive use of color and form. In this composition, two abstract figures—one in deep blue and the other in bright red—are entangled in an intense, almost confrontational interaction. The figure in blue, with glowing eyes and primitive, mask-like features, appears to dominate the red figure beneath it, creating a sense of power struggle or tension. Surrounding shades of green and purple add depth, enhancing the dramatic intensity of the scene. Lindström’s characteristic, almost primal style imbues the artwork with an emotional rawness, inviting viewers to interpret themes of conflict, dominance, and vulnerability.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.