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acrylic on paper, mounted on canvas - ca 1980 // L'Attente by Bengt Lindström, created around 1980, is a vivid and expressive acrylic painting on paper mounted on canvas. The artwork features a bold palette of greens, blues, reds, and yellows that swirl and overlap, creating dynamic textures and movement. Lindström's characteristic brushstrokes are thick and gestural, lending the piece a sense of intensity and emotional depth. The central figure appears abstracted yet retains a discernible face and hands, seemingly caught in a moment of contemplation or waiting, as the title suggests. The heavy use of color and form embodies Lindström's unique expressionistic style, where human figures are imbued with a raw, almost primal energy. This work captures the essence of emotion through powerful color contrasts and fluid lines, reflecting Lindström’s fascination with the human psyche and primal states of being.
L'Attente
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105 x 75 cm
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Details
Artist
Styles
acrylic on paper, mounted on canvas - ca 1980 // L'Attente by Bengt Lindström, created around 1980, is a vivid and expressive acrylic painting on paper mounted on canvas. The artwork features a bold palette of greens, blues, reds, and yellows that swirl and overlap, creating dynamic textures and movement. Lindström's characteristic brushstrokes are thick and gestural, lending the piece a sense of intensity and emotional depth. The central figure appears abstracted yet retains a discernible face and hands, seemingly caught in a moment of contemplation or waiting, as the title suggests. The heavy use of color and form embodies Lindström's unique expressionistic style, where human figures are imbued with a raw, almost primal energy. This work captures the essence of emotion through powerful color contrasts and fluid lines, reflecting Lindström’s fascination with the human psyche and primal states of being.
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What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.