
Details
Artist
Styles
Metal frame, Windows and Thread Initialed lower right CS. Series: State of Being. Chiharu Shiota’s State of Being (Windows) (2021) is a mesmerizing sculptural installation that embodies her signature exploration of memory, absence, and interconnectedness. Encased within a delicate yet intricate web of red thread, fragmented window frames appear suspended in time, evoking a ghostly presence of spaces once inhabited. The vibrant red threads create an ethereal enclosure, symbolizing both entrapment and connection, while the windows suggest portals to the past, lost narratives, or unseen possibilities. Shiota’s work often engages with themes of personal and collective history, using thread as a metaphor for human relationships and the invisible ties that bind us to places and experiences. This unique piece, part of her State of Being series, continues her investigation into the fragility of existence and the traces we leave behind, transforming ordinary objects into evocative meditations on time and memory.
State of Being (windows), 2021
form
Medium
Size
120 x 80 X 45 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Metal frame, Windows and Thread Initialed lower right CS. Series: State of Being. Chiharu Shiota’s State of Being (Windows) (2021) is a mesmerizing sculptural installation that embodies her signature exploration of memory, absence, and interconnectedness. Encased within a delicate yet intricate web of red thread, fragmented window frames appear suspended in time, evoking a ghostly presence of spaces once inhabited. The vibrant red threads create an ethereal enclosure, symbolizing both entrapment and connection, while the windows suggest portals to the past, lost narratives, or unseen possibilities. Shiota’s work often engages with themes of personal and collective history, using thread as a metaphor for human relationships and the invisible ties that bind us to places and experiences. This unique piece, part of her State of Being series, continues her investigation into the fragility of existence and the traces we leave behind, transforming ordinary objects into evocative meditations on time and memory.
What is Mono-Ha?
Meaning School of Things, Mono-ha originated in Tokyo in the mid-1960s. Instead of creating traditional artwork, the artists of Mono-ha used different materials and their natural properties to express dismay at the industrialization taking place in Japan at the time. The movement gained international attention and is now a widely respected form of art, known for its emphasis on the relationship between materials and their environment.