
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Fine art offset lithograph. Printed on high quality 250 gsm “BVS-PLUS matt” paper - Certified in print lower left (recto) and middle centre (verso), not signed. // Untitled #114 by Cindy Sherman is a 1999 fine art offset lithograph that encapsulates her signature exploration of identity and representation through photography. In this piece, Sherman portrays a young woman in a disheveled state, standing between two sheer, patterned curtains. Her slightly hunched posture, the tousled hair, and the distant look on her face evoke a sense of vulnerability, loneliness, or contemplation. The blue tones of the lighting and her attire enhance the mood of isolation, while the framing between the curtains adds a voyeuristic quality to the image. Sherman's work often plays with notions of constructed identity, and here she seems to reference both filmic and societal tropes of femininity, blurring the line between performance and reality.
Untitled #114, 1999
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45 x 34 cm
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Details
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Fine art offset lithograph. Printed on high quality 250 gsm “BVS-PLUS matt” paper - Certified in print lower left (recto) and middle centre (verso), not signed. // Untitled #114 by Cindy Sherman is a 1999 fine art offset lithograph that encapsulates her signature exploration of identity and representation through photography. In this piece, Sherman portrays a young woman in a disheveled state, standing between two sheer, patterned curtains. Her slightly hunched posture, the tousled hair, and the distant look on her face evoke a sense of vulnerability, loneliness, or contemplation. The blue tones of the lighting and her attire enhance the mood of isolation, while the framing between the curtains adds a voyeuristic quality to the image. Sherman's work often plays with notions of constructed identity, and here she seems to reference both filmic and societal tropes of femininity, blurring the line between performance and reality.
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What is conceptual art?
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.