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Signed, dated and numbered to lower edge - In Excellent Condition - Published by Store Days, New York // Claes Oldenburg's Sketch for a Sculpture in the Form of a Dress Collar and Tie, with Stud (1994) is a playful lithograph that blends abstract expression and sculptural ideas. The artwork, printed in a limited edition of 250, depicts a loosely sketched dress collar and tie, with the addition of a stud, all surrounded by dynamic brushstrokes in turquoise and black. The fluid, gestural lines give the piece an impression of movement, capturing the essence of a preliminary sketch for a three-dimensional form. Published by Store Days in New York, the piece is signed, dated, and numbered, highlighting Oldenburg’s consistent exploration of transforming everyday objects into sculptural art.
Sketch for a Sculpture in the Form of a Dress Collar and Tie, with Stud, 1994
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28.6 x 21 cm
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Details
Artist
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Signed, dated and numbered to lower edge - In Excellent Condition - Published by Store Days, New York // Claes Oldenburg's Sketch for a Sculpture in the Form of a Dress Collar and Tie, with Stud (1994) is a playful lithograph that blends abstract expression and sculptural ideas. The artwork, printed in a limited edition of 250, depicts a loosely sketched dress collar and tie, with the addition of a stud, all surrounded by dynamic brushstrokes in turquoise and black. The fluid, gestural lines give the piece an impression of movement, capturing the essence of a preliminary sketch for a three-dimensional form. Published by Store Days in New York, the piece is signed, dated, and numbered, highlighting Oldenburg’s consistent exploration of transforming everyday objects into sculptural art.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.