Sam Francis

Untitled, 1984

106.7 X 73 inch

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Two Pembroke Studio Chairs from the Moving Focus series

David Hockney etching Celia in Wicker Chair, black and white portrait of a woman seated in a patterned dress, highlighting texture and elegance.

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Artist

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Softground etching, aquatint (5 copper plates) Rives BFK // David Hockney’s Celia in Wicker Chair (black state), created in 1974 and printed in 1981, is a limited edition etching and aquatint measuring 36 by 29 inches. The piece features Celia Birtwell, a long-time friend and muse of Hockney, seated in a wicker chair, dressed in a patterned, flowing dress. The artwork is rendered using softground etching and aquatint techniques, employing five copper plates to achieve its delicate details. The black and white composition highlights the intricate textures of the wicker and fabric, emphasizing the elegance and poise of the subject. Hockney’s attention to line work captures Celia’s relaxed yet sophisticated demeanor, making the portrait both intimate and expressive. The simplicity of the monochromatic palette directs the viewer's focus to the interplay of light and shadow, accentuating the personality of the figure and the intricacy of the dress.

Artwork Copyright © David Hockney

David Hockney

Celia in Wicker Chair (black state), 1974 (printed in 1981)

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91.4 x 73.7   cm
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Details

Artist

Styles

Softground etching, aquatint (5 copper plates) Rives BFK // David Hockney’s Celia in Wicker Chair (black state), created in 1974 and printed in 1981, is a limited edition etching and aquatint measuring 36 by 29 inches. The piece features Celia Birtwell, a long-time friend and muse of Hockney, seated in a wicker chair, dressed in a patterned, flowing dress. The artwork is rendered using softground etching and aquatint techniques, employing five copper plates to achieve its delicate details. The black and white composition highlights the intricate textures of the wicker and fabric, emphasizing the elegance and poise of the subject. Hockney’s attention to line work captures Celia’s relaxed yet sophisticated demeanor, making the portrait both intimate and expressive. The simplicity of the monochromatic palette directs the viewer's focus to the interplay of light and shadow, accentuating the personality of the figure and the intricacy of the dress.

Artwork Copyright © David Hockney
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David Hockney’s The Beginning, etching and aquatint, depicts two men lying side by side in bed, relaxed and serene.

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David Hockney’s Portrait of Cavafy in Alexandria, etching and aquatint, minimalist depiction of poet C.P. Cavafy with Alexandria in the background.

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Limited Edition Print

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Limited Edition Print

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What is new figuration?
Artwork by Roger Raveel

What is new figuration?

Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.

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