Sam Francis

Untitled, 1984

106.7 X 73 inch

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Big Celia Print #2

David Hockney's Pembroke Studio Interior, from Moving Focus, lithograph, features fragmented studio elements with bold lines and bright colors.

Sheet: 102.9 x 125.7 cm (40.5 x 49.5 in) - Framed: 117.2 x 140 cm (46.1 x 55.1 in) - Signed, numbered and dated on the front // David Hockney's Pembroke Studio Interior, from Moving Focus is a 1984 lithograph that captures an intimate and fragmented view of the artist’s studio. The composition, measuring 102.9 x 125.7 cm, is marked by bold, vibrant lines and an almost cubist approach to space and perspective. Hockney’s use of color and form draws attention to various elements of the studio, such as chairs, easels, and bookshelves, creating a layered and dynamic environment. The red zig-zag pattern on the floor contrasts sharply with the green chairs and bright yellow lampshade, adding a playful yet structured rhythm to the space. Through his Moving Focus series, Hockney explores multiple perspectives within a single frame, inviting viewers to experience the studio from different angles and viewpoints, thus emphasizing the fluidity of perception.

Artwork Copyright © David Hockney

Pembroke Studio Interior, from Moving Focus, 1984

form

Medium

Edition

Sheet: 102.9 x 125.7 cm (40.5 x 49.5 in) - Framed: 117.2 x 140 cm (46.1 x 55.1 in) - Signed, numbered and dated on the front // David Hockney's Pembroke Studio Interior, from Moving Focus is a 1984 lithograph that captures an intimate and fragmented view of the artist’s studio. The composition, measuring 102.9 x 125.7 cm, is marked by bold, vibrant lines and an almost cubist approach to space and perspective. Hockney’s use of color and form draws attention to various elements of the studio, such as chairs, easels, and bookshelves, creating a layered and dynamic environment. The red zig-zag pattern on the floor contrasts sharply with the green chairs and bright yellow lampshade, adding a playful yet structured rhythm to the space. Through his Moving Focus series, Hockney explores multiple perspectives within a single frame, inviting viewers to experience the studio from different angles and viewpoints, thus emphasizing the fluidity of perception.

Artwork Copyright © David Hockney

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What is new figuration?

Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.

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