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Untitled, 1984

106.7 X 73 inch

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Glass Table with Objects

David Hockney | The Boy Hidden in an Egg - SIGNED | undefined available for sale on www.composition.gallery

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Etching and aquatint, 1969. Signed in pencil. From: Illustrations for Six Fairy Tales From the Brothers Grimm. Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam. Published by Petersburg Press, London. (SAC 72 ; Tokyo 69)

Artwork Copyright © David Hockney

David Hockney

The Boy Hidden in an Egg - SIGNED, 1969

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31 x 31   cm
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Etching and aquatint, 1969. Signed in pencil. From: Illustrations for Six Fairy Tales From the Brothers Grimm. Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam. Published by Petersburg Press, London. (SAC 72 ; Tokyo 69)

Artwork Copyright © David Hockney
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David Hockney’s iPad Drawing Untitled #346, 2010 inkjet print of vibrant tulips in a vase, with bold strokes and a blue background.

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David Hockney’s Untitled (for Joel Wachs), 1993 abstract lithograph and screenprint with bold blue, red, and black shapes on a white background.

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David Hockney's Diptychon, 1989, mixed media, abstract shapes with vibrant reds, blues, and black on two panels.

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David Hockney My Window iPad drawing No. 535 inkjet print showing pink flowers in a glass vase against a striped background.

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David Hockney My Window iPad drawing No. 281 inkjet print showing a red flower in a patterned vase against a window with green shutters.

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David Hockney Two Peppers, 1973, etching of a green and red pepper on a white cloth with blue shadows, minimalist still life, signed.

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USD 10,925

David Hockney's Ink in the Room, screen-print, features abstract shapes, bold colors, and fluid lines creating dynamic movement.

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David Hockney's iPad Drawing My Window. No. 778, 17th April 2011, inkjet print, vibrant pink blossoms and red-roofed house viewed through a window.

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Ipad Drawing My Window. No. 778, 17th April 2011, 2019

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EUR 51,500

David Hockney lithograph Slightly Damaged Chair, Malibu with delicately drawn single armchair centered on cream background.

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David Hockney Ojai Festival lithograph with abstract red and blue lines, a brick structure, musical notes, and handwritten text.

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David Hockney’s Two Boys Aged 23 or 24, etching and aquatint, shows two young men lying in bed facing each other.

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USD 5,800

David Hockney’s To Remain, etching and aquatint, depicts a boy standing pensively in front of a dry cleaning storefront.

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Limited Edition Print

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USD 3,125

David Hockney’s The Shop Window of a Tobacco Store, etching and aquatint, depicts a storefront in Alexandria with figures interacting.

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Illustrations For Fourteen Poems From C.P. Cavafy: The Shop Window Of A Tobacco Store, 1966

Limited Edition Print

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USD 3,125

David Hockney’s The Beginning, etching and aquatint, depicts two men lying side by side in bed, relaxed and serene.

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Illustrations For Fourteen Poems From C.P. Cavafy: The Beginning, 1966

Limited Edition Print

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USD 3,125

David Hockney’s Portrait of Cavafy in Alexandria, etching and aquatint, minimalist depiction of poet C.P. Cavafy with Alexandria in the background.

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Illustrations For Fourteen Poems From C.P. Cavafy: Portrait Of Cavafy In Alexandria, 1966

Limited Edition Print

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USD 3,125

David Hockney’s One Night, etching and aquatint, depicts two men standing closely in an intimate pose within a simple interior.

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Illustrations For Fourteen Poems From C.P. Cavafy: One Night, 1966

Limited Edition Print

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USD 3,125

David Hockney’s In Despair, etching and aquatint, depicts two men lying side by side in bed with distant, introspective gazes.

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Limited Edition Print

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USD 3,125

David Hockney’s He Enquired After the Quality, etching and aquatint, minimalist linear composition of two men in conversation.

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Illustrations For Fourteen Poems From C.P. Cavafy: He Enquired After The Quality, 1966

Limited Edition Print

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USD 3,125

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What is new figuration?
Artwork by Roger Raveel

What is new figuration?

Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.

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