Sam Francis

Untitled, 1984

106.7 X 73 inch

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Pembroke Studio Interior, from Moving Focus

David Hockney's Untitled (Still Life with Chair), 1989, black-and-white facsimile drawing in 16 parts, featuring abstracted still life elements like a chair, table, and vase.

Xerox copy of facsimile drawing in 16 parts from an unknown edition - Printed initials on the front // David Hockney’s Untitled (Still Life with Chair) is a unique mixed media print, consisting of 16 separate parts assembled to create a composite image. Rendered through a Xerox copy of a facsimile drawing, this work embodies Hockney’s experimental approach to printmaking, where he utilizes unconventional methods to explore perspective and composition. The image presents a still life scene featuring abstracted, almost playful interpretations of a chair, a table, and a vase with flowers, set against a grid-like background. Hockney's choice to break the image into multiple segments emphasizes the fragmented, dynamic nature of the composition, inviting viewers to explore the space from multiple angles. The use of black and white adds a graphic quality, giving the work a modern, minimalist feel despite the everyday subject matter. Printed with Hockney’s initials on the front, this print showcases his ongoing fascination with the intersections of technology, art, and perception.

Artwork Copyright © David Hockney

Untitled (Still Life with Chair), 1989

form

Medium

Edition

Xerox copy of facsimile drawing in 16 parts from an unknown edition - Printed initials on the front // David Hockney’s Untitled (Still Life with Chair) is a unique mixed media print, consisting of 16 separate parts assembled to create a composite image. Rendered through a Xerox copy of a facsimile drawing, this work embodies Hockney’s experimental approach to printmaking, where he utilizes unconventional methods to explore perspective and composition. The image presents a still life scene featuring abstracted, almost playful interpretations of a chair, a table, and a vase with flowers, set against a grid-like background. Hockney's choice to break the image into multiple segments emphasizes the fragmented, dynamic nature of the composition, inviting viewers to explore the space from multiple angles. The use of black and white adds a graphic quality, giving the work a modern, minimalist feel despite the everyday subject matter. Printed with Hockney’s initials on the front, this print showcases his ongoing fascination with the intersections of technology, art, and perception.

Artwork Copyright © David Hockney

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Limited Edition Print

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Limited Edition Print

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Limited Edition Print

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Illustrations For Fourteen Poems From C.P. Cavafy: To Remain, 1966

Limited Edition Print

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USD 3,125

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Limited Edition Print

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USD 3,125

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Limited Edition Print

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What is new figuration?

Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.

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