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Chocolate on hardboard. Hand-signed, dated, and numbered on the back. Catalogue raisonné Dobke, No. 111. Produced by Emil Schult, Düsseldorf. Each multiple is unique. Contribution to "Artist's Mail" Dieter Roth’s Self-Portrait (1969) is a highly unconventional artwork made of chocolate on hardboard, exemplifying his experimental approach to materials and self-representation. The piece features a textured, organic surface with a circular, decaying form against a green background, emphasizing the transient and ephemeral nature of the medium. By using chocolate—a material prone to transformation and decomposition—Roth challenges traditional notions of permanence in art, integrating themes of decay, self-identity, and time. Each of the 100 pieces in this edition, produced by Emil Schult for Artist’s Mail, is unique, reinforcing the individuality and unpredictability of the material. Documented in Dobke, Catalogue Raisonné, this work is a testament to Roth’s radical innovations in conceptual and process-based art.
Self-portrait, 1969
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20 x 28.5 cm
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Details
Artist
Styles
Chocolate on hardboard. Hand-signed, dated, and numbered on the back. Catalogue raisonné Dobke, No. 111. Produced by Emil Schult, Düsseldorf. Each multiple is unique. Contribution to "Artist's Mail" Dieter Roth’s Self-Portrait (1969) is a highly unconventional artwork made of chocolate on hardboard, exemplifying his experimental approach to materials and self-representation. The piece features a textured, organic surface with a circular, decaying form against a green background, emphasizing the transient and ephemeral nature of the medium. By using chocolate—a material prone to transformation and decomposition—Roth challenges traditional notions of permanence in art, integrating themes of decay, self-identity, and time. Each of the 100 pieces in this edition, produced by Emil Schult for Artist’s Mail, is unique, reinforcing the individuality and unpredictability of the material. Documented in Dobke, Catalogue Raisonné, this work is a testament to Roth’s radical innovations in conceptual and process-based art.
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What is concrete art?
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.