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Dr. Lakra (b. 1972, Mexico) is the pseudonym of Jerónimo López Ramírez, a Mexican artist renowned for his distinctive style that blends tattoo art with traditional and contemporary iconography. Originally a tattoo artist, Dr. Lakra’s work has expanded into various mediums, including drawing, painting, Read More
Artwork Copyright ©
Dr Lakra
Biography
Categories
Dr. Lakra (b. 1972, Mexico) is the pseudonym of Jerónimo López Ramírez, a Mexican artist renowned for his distinctive style that blends tattoo art with traditional and contemporary iconography. Originally a tattoo artist, Dr. Lakra’s work has expanded into various mediums, including drawing, painting, Read More
Artwork Copyright ©
Dr Lakra
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Dr Lakra
Beso, 2009
Limited Edition Print
Lithograph
EUR 750
Dr Lakra
Untitled Blue, 2008
Limited Edition Print
Lithograph
USD 2,750
Dr Lakra
Untitled, #3, 2008
Limited Edition Print
Etching
USD 2,500
Dr Lakra
Untitled, #6, 2008
Limited Edition Print
Etching
USD 2,500
Dr Lakra
Untitled, #7, 2008
Limited Edition Print
Etching
USD 2,500
Dr Lakra
Untitled, #8, 2008
Limited Edition Print
Etching
USD 2,500
Dr Lakra
Untitled, #5, 2008
Limited Edition Print
Etching
USD 2,500
Dr Lakra
Untitled, #9, 2008
Limited Edition Print
Etching
USD 2,500
Dr Lakra
Untitled, #10, 2008
Limited Edition Print
Etching
USD 2,500
Dr Lakra
Untitled, #2, 2008
Limited Edition Print
Etching
USD 2,500
Dr Lakra
Untitled, #4, 2008
Limited Edition Print
Etching
USD 2,500
Dr Lakra
Untitled, #1, 2008
Limited Edition Print
Etching
USD 2,500
Dr Lakra
Untitled Green, 2008
Limited Edition Print
Lithograph
USD 2,500
Dr Lakra
Ojo Vigilante, 2009
Limited Edition Print
Lithograph
EUR 750
Dr Lakra
Abandonado, 2009
Limited Edition Print
Lithograph
EUR 750
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Artwork by Shepard Fairey
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
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