
Details
Artist
Styles
Mixographia print on handmade paper // Cash for Tolls 2 (from Rusty Signs) by Ed Ruscha, created in 2014, is part of his Rusty Signs series and is a mixographia print on handmade paper. This piece, like others in the series, mimics the texture and appearance of corroded metal, giving it a rugged, industrial feel. The words CASH FOR TOOLS are embossed in bold, geometric letters, creating a stark visual impact. The rust-like texture and distressed surface add a layer of authenticity, evoking the aesthetic of worn, vintage signage. Ruscha’s choice to present everyday phrases in such a format highlights the intersection of language, art, and commercialism, a recurring theme in his work. Limited to 50 editions with 10 artist’s proofs, this print combines the tactile experience of handmade materials with the conceptual depth of Ruscha's commentary on consumer culture and the art of signage.
Cash for Tolls 2 (from Rusty Signs), 2014
form
Medium
Size
61 x 61 cm
- Inches
- Centimeters
Edition
Range
- USD
- EUR
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Details
Artist
Styles
Mixographia print on handmade paper // Cash for Tolls 2 (from Rusty Signs) by Ed Ruscha, created in 2014, is part of his Rusty Signs series and is a mixographia print on handmade paper. This piece, like others in the series, mimics the texture and appearance of corroded metal, giving it a rugged, industrial feel. The words CASH FOR TOOLS are embossed in bold, geometric letters, creating a stark visual impact. The rust-like texture and distressed surface add a layer of authenticity, evoking the aesthetic of worn, vintage signage. Ruscha’s choice to present everyday phrases in such a format highlights the intersection of language, art, and commercialism, a recurring theme in his work. Limited to 50 editions with 10 artist’s proofs, this print combines the tactile experience of handmade materials with the conceptual depth of Ruscha's commentary on consumer culture and the art of signage.
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What is conceptual art?
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.