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Ditone print, numbered and signed on the back // Metro Mattress #4 by Ed Ruscha is a mixed-media print that presents a striking image of two abandoned mattresses stacked on top of each other. The soft, muted colors, combined with fine detailing, suggest both the textures and the worn-out nature of the mattresses, with visible stains and frayed edges. The artwork's minimalist background contrasts with the intricate patterns of the mattresses, evoking themes of urban decay and the passage of time. Ruscha’s work often reflects a fascination with overlooked urban elements, turning mundane objects into contemplative subjects. This piece, part of a limited edition series, is numbered and signed on the back, adding a layer of exclusivity to its commentary on disposability in modern society.
Metro Mattress #4, 2015/2017
form
Medium
Size
18.2 x 28.4 cm
- Inches
- Centimeters
Edition
Range
- USD
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- GBP
Details
Artist
Styles
Ditone print, numbered and signed on the back // Metro Mattress #4 by Ed Ruscha is a mixed-media print that presents a striking image of two abandoned mattresses stacked on top of each other. The soft, muted colors, combined with fine detailing, suggest both the textures and the worn-out nature of the mattresses, with visible stains and frayed edges. The artwork's minimalist background contrasts with the intricate patterns of the mattresses, evoking themes of urban decay and the passage of time. Ruscha’s work often reflects a fascination with overlooked urban elements, turning mundane objects into contemplative subjects. This piece, part of a limited edition series, is numbered and signed on the back, adding a layer of exclusivity to its commentary on disposability in modern society.
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What is New Topographics?
New Topographics is a term coined in 1975 by curator William Jenkins to describe a group of photographers whose work focused on formal black-and-white images of urban and industrial landscapes. Jenkins initially described their aesthetic as banal, but the photographers themselves argued that their compositions were as significant as those of natural landscapes, emphasizing the beauty in everyday, man-made environments.