Sam Francis

Untitled, 1984

106.7 X 73 inch

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Argi V

Eduardo Chillida, Argi IV, etching and aquatint; abstract black geometric shapes on a white background, creating balance and contrast.

Etching and aquatint, hand signed by the artist. // Argi IV by Eduardo Chillida, created in 1988, is an etching and aquatint that emphasizes simplicity and the play of light and shadow through abstract forms. The artwork features an arrangement of black geometric shapes that interrupt the white space, creating a balanced yet fragmented composition. These dark, rectangular forms are placed across the image with subtle irregularities and gaps, evoking architectural structures or a stylized landscape. Chillida’s mastery of negative space draws the viewer’s attention to both the forms themselves and the blank areas, inviting contemplation on presence and absence. Argi, meaning light in Basque, is reflected in the piece’s exploration of contrast, simplicity, and the interaction between form and void.

Artwork Copyright © Eduardo Chillida

Argi IV, 1988

form

Medium

Edition

Etching and aquatint, hand signed by the artist. // Argi IV by Eduardo Chillida, created in 1988, is an etching and aquatint that emphasizes simplicity and the play of light and shadow through abstract forms. The artwork features an arrangement of black geometric shapes that interrupt the white space, creating a balanced yet fragmented composition. These dark, rectangular forms are placed across the image with subtle irregularities and gaps, evoking architectural structures or a stylized landscape. Chillida’s mastery of negative space draws the viewer’s attention to both the forms themselves and the blank areas, inviting contemplation on presence and absence. Argi, meaning light in Basque, is reflected in the piece’s exploration of contrast, simplicity, and the interaction between form and void.

Artwork Copyright © Eduardo Chillida

Eduardo Chillida

Literature Or Life III, 1997

Limited Edition Print

Etching

EUR 3,600

Eduardo Chillida

Urrutiko, 1972

Limited Edition Print

Etching And Aquatint

EUR 8,450

Eduardo Chillida

Enda VII, 1976

Limited Edition Print

Etching

EUR 2,650

Eduardo Chillida

Felicidades, 1966

Limited Edition Print

Monotype

EUR 11,300

Eduardo Chillida

Untitled, 1965

Tapestry

Tapestry

Inquire For Price

Eduardo Chillida

Bikaina XV, 1988

Limited Edition Print

Etching And Aquatint

EUR 4,500

Eduardo Chillida

St. Gallen, 1968-84

Limited Edition Print

Lithograph

EUR 5,040

Eduardo Chillida

Cioran, 1983

Limited Edition Print

Lithograph

EUR 4,800

Eduardo Chillida

Sapai, 1969

Limited Edition Print

Lithograph

EUR 4,800

Eduardo Chillida

Copernicus (Kopernikus), 1980

Limited Edition Print

Etching

EUR 3,450

Eduardo Chillida

Cioran XXXI, 1986

Limited Edition Print

Woodcut

EUR 2,250

Eduardo Chillida

Cioran XXVI, 1983

Limited Edition Print

Woodcut

EUR 2,250

Eduardo Chillida

Cioran XXV, 1983

Limited Edition Print

Woodcut

EUR 2,250

Eduardo Chillida

Rem I Pala, 1994

Limited Edition Print

Etching

EUR 1,875

Eduardo Chillida

L'Honra Del Llop, 1994

Limited Edition Print

Etching

EUR 1,875

Eduardo Chillida

Cioran XXXII, 1983

Limited Edition Print

Engraving

EUR 1,875

Eduardo Chillida

Cioran XXX, 1983

Limited Edition Print

Engraving

EUR 1,875

Eduardo Chillida

Cioran XXVIII, 1983

Limited Edition Print

Engraving

EUR 1,875

Eduardo Chillida

Cioran XXIX, 1983

Limited Edition Print

Engraving

EUR 1,875

Eduardo Chillida

Literature Or Life (Esku XXXV, Hebrew Version), 1997

Limited Edition Print

Etching

EUR 3,600

Eduardo Chillida

Untitled N°73, 1961

Limited Edition Print

Lithograph

EUR 3,100

Eduardo Chillida

Antzo VIII, 1986

Limited Edition Print

Etching And Aquatint

EUR 6,500

Eduardo Chillida

Beltza V, 1969

Limited Edition Print

Woodcut

EUR 4,850

Eduardo Chillida

Beltza IV, 1969

Limited Edition Print

Woodcut

EUR 4,850

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What is Art Informel?

Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.

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