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Etching and Aquatint; 45 copies; Plate size: 21 X24'5; Artwork size: 75 X 53 cm.; Perfect condition // Bidearte I by Eduardo Chillida, created in 1980, is a limited edition etching and aquatint produced in an edition of 45 copies, plus artist’s proofs. The artwork presents an intricate, abstract design that resembles a blueprint or a labyrinthine pathway, rendered in subtle earthy tones against a lightly textured background. The fine lines and curves suggest a sense of exploration, as if mapping an inner or conceptual landscape. Chillida’s composition invites viewers to contemplate the notion of pathways, both literal and metaphorical, evoking themes of direction, journey, and introspection. This piece exemplifies Chillida’s characteristic style, merging the technical precision of etching with the emotive depth of abstract expression.
Bidearte I, 1980
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75 x 53 cm
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Details
Artist
Styles
Etching and Aquatint; 45 copies; Plate size: 21 X24'5; Artwork size: 75 X 53 cm.; Perfect condition // Bidearte I by Eduardo Chillida, created in 1980, is a limited edition etching and aquatint produced in an edition of 45 copies, plus artist’s proofs. The artwork presents an intricate, abstract design that resembles a blueprint or a labyrinthine pathway, rendered in subtle earthy tones against a lightly textured background. The fine lines and curves suggest a sense of exploration, as if mapping an inner or conceptual landscape. Chillida’s composition invites viewers to contemplate the notion of pathways, both literal and metaphorical, evoking themes of direction, journey, and introspection. This piece exemplifies Chillida’s characteristic style, merging the technical precision of etching with the emotive depth of abstract expression.
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Eduardo Chillida
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Eduardo Chillida
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Etching And Aquatint
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Eduardo Chillida
Une Helene De Vent Ou Fumee II, 1990
Limited Edition Print
Etching And Aquatint
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Eduardo Chillida
Une Helene De Vent Ou Fumee III, 1990
Limited Edition Print
Etching And Aquatint
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What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.