
Details
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Signed and numbered by the artist. Published by Erker-Presse St. Gallen, with their dry stamp. Catalogue: Van der Koelen 83019 Eduardo Chillida’s Cioran (1983) is a bold lithograph that exemplifies his exploration of space, form, and balance. Featuring a striking black shape intersected by delicate white negative space, the composition evokes a sense of connection and tension, a hallmark of Chillida’s work. The solid, almost architectural forms contrast with the fluidity of the white lines, creating a dynamic interplay between presence and void. Named after the philosopher Emil Cioran, the piece suggests a contemplative engagement with existential themes, reflecting Chillida’s interest in philosophy and metaphysics. Part of a limited edition of 75 plus artist proofs, this work showcases his mastery in printmaking, capturing his sculptural sensibilities within a two-dimensional medium.
Cioran, 1983
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65.5 x 40 cm
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Details
Artist
Styles
Signed and numbered by the artist. Published by Erker-Presse St. Gallen, with their dry stamp. Catalogue: Van der Koelen 83019 Eduardo Chillida’s Cioran (1983) is a bold lithograph that exemplifies his exploration of space, form, and balance. Featuring a striking black shape intersected by delicate white negative space, the composition evokes a sense of connection and tension, a hallmark of Chillida’s work. The solid, almost architectural forms contrast with the fluidity of the white lines, creating a dynamic interplay between presence and void. Named after the philosopher Emil Cioran, the piece suggests a contemplative engagement with existential themes, reflecting Chillida’s interest in philosophy and metaphysics. Part of a limited edition of 75 plus artist proofs, this work showcases his mastery in printmaking, capturing his sculptural sensibilities within a two-dimensional medium.
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Limited Edition Print
Etching
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Eduardo Chillida
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Eduardo Chillida
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Limited Edition Print
Etching And Aquatint
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What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.