Sam Francis

Untitled, 1984

106.7 X 73 inch

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Cioran XXXI

Eduardo Chillida's Copernicus (Kopernikus) (1980) etching features delicate, abstract lines resembling a hand within a small, open space on a white background.

- Plate size : 11.5 X 14 cm. - Sheet size : 52.5 X 43 cm. - Cataloged in Eduardo Chillida Opus P.II, pag. 240 // Eduardo Chillida's Copernicus (Kopernikus) is a limited edition etching from 1980. The piece features a minimalist line drawing etched onto a small plate, with delicate, abstract lines creating a contemplative form. The fine lines, resembling a hand or an abstract figure, are rendered with restraint, giving the work a meditative, almost philosophical quality. The image is set within a large, open space of white, leaving much of the sheet blank, which draws attention to the quiet simplicity of the central design. The minimal composition reflects Chillida’s interest in space, form, and the contemplation of abstract, philosophical themes, possibly referencing the astronomical contributions of Copernicus.

Artwork Copyright © Eduardo Chillida

Copernicus (Kopernikus), 1980

form

Medium

Edition

- Plate size : 11.5 X 14 cm. - Sheet size : 52.5 X 43 cm. - Cataloged in Eduardo Chillida Opus P.II, pag. 240 // Eduardo Chillida's Copernicus (Kopernikus) is a limited edition etching from 1980. The piece features a minimalist line drawing etched onto a small plate, with delicate, abstract lines creating a contemplative form. The fine lines, resembling a hand or an abstract figure, are rendered with restraint, giving the work a meditative, almost philosophical quality. The image is set within a large, open space of white, leaving much of the sheet blank, which draws attention to the quiet simplicity of the central design. The minimal composition reflects Chillida’s interest in space, form, and the contemplation of abstract, philosophical themes, possibly referencing the astronomical contributions of Copernicus.

Artwork Copyright © Eduardo Chillida

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What is Art Informel?

Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.

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