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Plate size: 43 X 59 cm; Artwork size: 63 X 90 cm. // Inguru 5 by Eduardo Chillida, an etching from 1968, showcases the artist's fascination with space, form, and abstraction. The composition features an interplay of irregular black and white shapes that appear to interlock and fragment within the bounds of the image. The arrangement of these shapes creates a sense of tension and harmony, as negative space defines the overall structure. Chillida’s minimalistic approach in this piece invites viewers to contemplate notions of containment, boundary, and balance. The simplicity of form reflects his skill in using geometric abstraction to evoke complex spatial relationships.
Inguru 5, 1968
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63 x 90 cm
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Details
Artist
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Plate size: 43 X 59 cm; Artwork size: 63 X 90 cm. // Inguru 5 by Eduardo Chillida, an etching from 1968, showcases the artist's fascination with space, form, and abstraction. The composition features an interplay of irregular black and white shapes that appear to interlock and fragment within the bounds of the image. The arrangement of these shapes creates a sense of tension and harmony, as negative space defines the overall structure. Chillida’s minimalistic approach in this piece invites viewers to contemplate notions of containment, boundary, and balance. The simplicity of form reflects his skill in using geometric abstraction to evoke complex spatial relationships.
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Eduardo Chillida
Literature Or Life (Esku XXXV, Hebrew Version), 1997
Limited Edition Print
Etching
EUR 3,600
Eduardo Chillida
Une Helene De Vent Ou Fumee I, 1990
Limited Edition Print
Etching And Aquatint
EUR 8,150
Eduardo Chillida
Une Helene De Vent Ou Fumee II, 1990
Limited Edition Print
Etching And Aquatint
EUR 8,150
Eduardo Chillida
Une Helene De Vent Ou Fumee III, 1990
Limited Edition Print
Etching And Aquatint
EUR 8,150
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.