
Details
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Signed and numbered by the artist. Catalogue: Van der Koelen 69001. Published by Erker-Presse St. Gallen, with their dry stamp. Eduardo Chillida’s Sapai (1969) is a striking lithograph that exemplifies his mastery of abstraction and spatial composition. Executed in black ink on a vast white background, the work features irregular geometric forms that appear fragmented yet interconnected. The textured, almost organic quality of the black areas contrasts sharply with the crisp edges of the negative space, creating a dynamic interplay between presence and absence. Chillida’s exploration of voids and solid structures, often seen in his sculptural work, translates seamlessly into this graphic medium. Published by Erker-Presse St. Gallen in a limited edition of 75 plus artist proofs, Sapai is a testament to Chillida’s ability to convey weight, movement, and balance through minimal yet powerful gestures.
Sapai, 1969
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41.2 x 75 cm
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Details
Artist
Styles
Signed and numbered by the artist. Catalogue: Van der Koelen 69001. Published by Erker-Presse St. Gallen, with their dry stamp. Eduardo Chillida’s Sapai (1969) is a striking lithograph that exemplifies his mastery of abstraction and spatial composition. Executed in black ink on a vast white background, the work features irregular geometric forms that appear fragmented yet interconnected. The textured, almost organic quality of the black areas contrasts sharply with the crisp edges of the negative space, creating a dynamic interplay between presence and absence. Chillida’s exploration of voids and solid structures, often seen in his sculptural work, translates seamlessly into this graphic medium. Published by Erker-Presse St. Gallen in a limited edition of 75 plus artist proofs, Sapai is a testament to Chillida’s ability to convey weight, movement, and balance through minimal yet powerful gestures.
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What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.