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Lithograph on Japanese paper. Signed and numbered by the artist. Published by Erker-Presse St. Gallen, with their dry stamp. Catalogue: Van der Koelen 84014. Eduardo Chillida’s St. Gallen 1968-84 is a striking lithograph that exemplifies his mastery of abstraction and spatial composition. Printed on delicate Japanese paper, the work features a bold black form with irregular geometric edges, intersected by subtle negative space. The composition plays with contrasts—solid versus void, presence versus absence—creating a dynamic tension that echoes Chillida’s sculptural explorations. The textured surface of the print adds depth, further enhancing its material quality. Part of a limited edition of 75 plus artist proofs, and catalogued as Van der Koelen 84014, this lithograph reflects Chillida’s ongoing dialogue between materiality and space, reinforcing his deep engagement with form and balance.
St. Gallen, 1968-84
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65 x 50 cm
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Details
Artist
Styles
Lithograph on Japanese paper. Signed and numbered by the artist. Published by Erker-Presse St. Gallen, with their dry stamp. Catalogue: Van der Koelen 84014. Eduardo Chillida’s St. Gallen 1968-84 is a striking lithograph that exemplifies his mastery of abstraction and spatial composition. Printed on delicate Japanese paper, the work features a bold black form with irregular geometric edges, intersected by subtle negative space. The composition plays with contrasts—solid versus void, presence versus absence—creating a dynamic tension that echoes Chillida’s sculptural explorations. The textured surface of the print adds depth, further enhancing its material quality. Part of a limited edition of 75 plus artist proofs, and catalogued as Van der Koelen 84014, this lithograph reflects Chillida’s ongoing dialogue between materiality and space, reinforcing his deep engagement with form and balance.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.