Details
Artist
Styles
Acrylic resin // Enrico Baj's sculpture Busto (1969) is an acrylic resin piece featuring geometric abstraction. The octagonal upper segment of the sculpture showcases a minimalist design with a gray rectangular shape and a smaller triangle, floating in transparent acrylic. These shapes evoke a sense of playfulness and experimentation typical of Baj’s work, often touching on the absurd and whimsical. The lower section, a rectangular block of clear resin, introduces a vibrant green swirl, adding a dynamic contrast to the rigid geometric forms above. The juxtaposition of sharp lines and organic curves brings balance and movement to this piece, reflective of Baj’s innovative approach to combining abstraction with bold color choices.
Busto, 1969
form
Medium
Size
28.5 x 19.5 X 3.5 cm
- Inches
- Centimeters
Edition
Price
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- EUR
- GBP
Details
Artist
Styles
Acrylic resin // Enrico Baj's sculpture Busto (1969) is an acrylic resin piece featuring geometric abstraction. The octagonal upper segment of the sculpture showcases a minimalist design with a gray rectangular shape and a smaller triangle, floating in transparent acrylic. These shapes evoke a sense of playfulness and experimentation typical of Baj’s work, often touching on the absurd and whimsical. The lower section, a rectangular block of clear resin, introduces a vibrant green swirl, adding a dynamic contrast to the rigid geometric forms above. The juxtaposition of sharp lines and organic curves brings balance and movement to this piece, reflective of Baj’s innovative approach to combining abstraction with bold color choices.
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Enrico Baj
Catherine Henriette De Balzac D’Etrague Marquise De Verneuil, 1978
Sculpture / Object
Mixed Media
EUR 9,500
Enrico Baj
Manifesto Per La Mostra Enrico Baj, Palazzo Dei Diamanti, Ferrara, 1977
Limited Edition Print
Silkscreen
EUR 1,500
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
