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Acrylic and metal - Signed in marker at the bottom // Felipe Pantone’s Subtractive Variability Kosmos Axis (2024) is a mixed-media sculpture that combines acrylic and metal to create a visually dynamic and interactive piece. The sculpture features three translucent discs in cyan, magenta, and yellow, mounted on a rotating aluminum support, allowing it to rotate freely around its axis. The overlapping colors from the translucent discs create an infinite variety of hues, reminiscent of a color wheel in constant motion. The design mimics the appearance of a gyroscope, symbolizing celestial balance and perpetual movement. The interplay of light and color invites viewers to engage with the artwork, evoking themes of fluidity, change, and infinite possibility.
Subtractive Variability Kosmos Axis, 2024
form
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35 x 30 X 15.5 cm
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Edition
Price
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Details
Artist
Styles
Acrylic and metal - Signed in marker at the bottom // Felipe Pantone’s Subtractive Variability Kosmos Axis (2024) is a mixed-media sculpture that combines acrylic and metal to create a visually dynamic and interactive piece. The sculpture features three translucent discs in cyan, magenta, and yellow, mounted on a rotating aluminum support, allowing it to rotate freely around its axis. The overlapping colors from the translucent discs create an infinite variety of hues, reminiscent of a color wheel in constant motion. The design mimics the appearance of a gyroscope, symbolizing celestial balance and perpetual movement. The interplay of light and color invites viewers to engage with the artwork, evoking themes of fluidity, change, and infinite possibility.
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Lithograph
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Felipe Pantone
Substractive Variability Series 2 – Print 4, 2022
Limited Edition Print
Lithograph
EUR 1,500
Felipe Pantone
Substractive Variability Series 2 – Print 3, 2022
Limited Edition Print
Lithograph
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Felipe Pantone
Substractive Variability Series 2 – Print 2, 2022
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Lithograph
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Felipe Pantone
Substractive Variability Series 2 – Print 1, 2022
Limited Edition Print
Lithograph
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.