Sam Francis

Untitled, 1984

106.7 X 73 inch

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Cavaquinho

Arman Fernandez, Colère de Paganini, 2004, mixed-media sculpture with burned violin and bow encased in resin and plexiglass, symbolizing destruction and artistic passion.

Burned violin and bow included in polyester resin and plexiglass casing. Metal interlocking plinth. Signed lower right. Numbered lower left. H: 77; L: 45; D: 12 cm. // Arman Fernandez's Colère de Paganini (Paganini's Anger) is a powerful mixed-media sculpture that captures the raw energy of destruction and artistic expression. This work features a violin and bow, visibly burned and encased in a clear polyester resin and plexiglass casing, frozen in a moment of violent deconstruction. The shattered and charred instrument symbolizes the intense passion and possible frustrations associated with musical genius, referencing the legendary violinist Niccolò Paganini. Encased as if in a shrine, the instrument’s fragmented state reflects themes of impermanence and the breaking of convention, integral to Arman’s exploration of art through destruction. Limited to an edition of 100, this piece speaks to Arman’s fascination with transformation and the beauty found within destruction.

Artwork Copyright © Fernandez Arman

Colere de Paganini / Paganini's Anger, 2004

form

Medium

Edition

Burned violin and bow included in polyester resin and plexiglass casing. Metal interlocking plinth. Signed lower right. Numbered lower left. H: 77; L: 45; D: 12 cm. // Arman Fernandez's Colère de Paganini (Paganini's Anger) is a powerful mixed-media sculpture that captures the raw energy of destruction and artistic expression. This work features a violin and bow, visibly burned and encased in a clear polyester resin and plexiglass casing, frozen in a moment of violent deconstruction. The shattered and charred instrument symbolizes the intense passion and possible frustrations associated with musical genius, referencing the legendary violinist Niccolò Paganini. Encased as if in a shrine, the instrument’s fragmented state reflects themes of impermanence and the breaking of convention, integral to Arman’s exploration of art through destruction. Limited to an edition of 100, this piece speaks to Arman’s fascination with transformation and the beauty found within destruction.

Artwork Copyright © Fernandez Arman

Fernandez Arman

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Fernandez Arman

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EUR 25,000 - 35,000

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Bronze

EUR 17,000 - 20,000

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Paintbrushes, 1990

Sculpture / Object

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EUR 14,500

Fernandez Arman

Aesculapius Hammer, 1977

Limited Edition Print

Lithograph

EUR 640

Fernandez Arman

Hypored, 1977

Limited Edition Print

Lithograph

EUR 640

Fernandez Arman

Inside Story, 1977

Limited Edition Print

Lithograph

EUR 640

Fernandez Arman

Rien Ne Bat Plus, 1977

Limited Edition Print

Lithograph

EUR 640

Fernandez Arman

Boom Boom, 1966

Limited Edition Print

Screen-print

Inquire For Price

Fernandez Arman

Shortened Trip

Sculpture / Object

Mixed Media

USD 4,550

Fernandez Arman

Untitled (Allegro Vivaldi), 1978

Limited Edition Print

Silkscreen

EUR 1,290

Fernandez Arman

Gothic, 1977

Limited Edition Print

Lithograph

Inquire For Price

Fernandez Arman

Passe Temps, 1971

Limited Edition Print

Mixed Media

EUR 4,000

Fernandez Arman

Red Tubes, 1980

Painting

Mixed Media

EUR 34,000

Fernandez Arman

Candélabre Africain, 2003

Sculpture / Object

Bronze

EUR 6,000

Fernandez Arman

Colere De Paganini / Paganini's Anger, 2004

Sculpture / Object

Mixed Media

EUR 14,500

Fernandez Arman

Cavaquinho, 2002

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Metal

EUR 5,970

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Accumulation, Tee, 1994

Sculpture / Object

Mixed Media

Currently Not Available

Fernandez Arman

Violent Violins I, 1977

Limited Edition Print

Screen-print

Currently Not Available

Fernandez Arman

Venus Au Violon, 1991

Sculpture / Object

Bronze

Currently Not Available

Fernandez Arman

Chessboard In Hommage To Marcel Duchamp's L.H.O.O.Q., 1973

Limited Edition Print

Screen-print

Currently Not Available

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ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.

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