Sam Francis

Untitled, 1984

106.7 X 73 inch

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Portfolio QUICK

Fernando Bryce Portfolio INRA with five black-and-white lithographs on aluminum plates, depicting historical media covers and themes.
Fernando Bryce Portfolio INRA with five black-and-white lithographs on aluminum plates, depicting historical media covers and themes.
Fernando Bryce Portfolio INRA with five black-and-white lithographs on aluminum plates, depicting historical media covers and themes.
Fernando Bryce Portfolio INRA with five black-and-white lithographs on aluminum plates, depicting historical media covers and themes.
Peruvian born Fernando Bryce, is a contemporary artist that received his formal education art institutes in both Lima and Paris. His main preferred medium to work with is sumi ink on paper, which typically are modestly sized and no larger than a movie poster. Most of his works involves having a series of paintings all sharing a Read More
Artwork Copyright © Fernando Bryce

Portfolio INRA, 2009

form
Medium

5 Lithographs on aluminum plates // Fernando Bryce's Portfolio INRA (2009) is a collection of five l (...) Show More
Peruvian born Fernando Bryce, is a contemporary artist that received his formal education art institutes in both Lima and Paris. His main preferred medium to work with is sumi ink on paper, which typically are modestly sized and no larger than a movie poster. Most of his works involves having a series of paintings all sharing a Read More
Artwork Copyright © Fernando Bryce

Fernando Bryce

Portfolio QUICK, 2008

Limited Edition Print

Lithograph

EUR 3,000

Fernando Bryce

Portfolio INRA, 2009

Limited Edition Print

Lithograph

EUR 3,000

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What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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