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// Ondes parasites 2 by François Morellet, created in 2014, is a minimalist screen print that features concentric arcs on two overlapping white PVC plates. This geometric composition utilizes slight shifts in the curvature of each plate, creating an optical effect of movement and variation as the lines interact. The design invites viewers to engage with the subtle changes in angle, generating a dynamic sense of rhythm within the simplicity of the forms. Displayed frameless, the piece has a clean and modern aesthetic. Morellet’s work often explores the intersection of precision and perception, and this artwork exemplifies his commitment to visual experimentation through structural balance and mathematical clarity.
Ondes parasites 2, 2014
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60 x 60 cm
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Details
Artist
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// Ondes parasites 2 by François Morellet, created in 2014, is a minimalist screen print that features concentric arcs on two overlapping white PVC plates. This geometric composition utilizes slight shifts in the curvature of each plate, creating an optical effect of movement and variation as the lines interact. The design invites viewers to engage with the subtle changes in angle, generating a dynamic sense of rhythm within the simplicity of the forms. Displayed frameless, the piece has a clean and modern aesthetic. Morellet’s work often explores the intersection of precision and perception, and this artwork exemplifies his commitment to visual experimentation through structural balance and mathematical clarity.
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What is ‘light and space’?
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.