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A Hungry Cat Ate Up the Goat, Illustrations After El Lissitzky's Had Gadya - lithograph, linocut, and screenprint in colors with hand-coloring and collage, on wove paper, 1984, signed and dated in pencil, numbered PP II, published by Waddington Graphics, London - Sheet: 45 ½ x 53 ½ in. (1158 x 1359 mm.) // A Hungry Cat Ate up the Goat by Frank Stella is a vibrant limited edition print from 1984, part of his series inspired by El Lissitzky's Had Gadya. This mixed media piece combines lithograph, linocut, screen print, hand-coloring, and collage on wove paper, showcasing Stella's dynamic use of color and form. The composition bursts with jagged shapes and layered textures in a swirling pattern of pastel blue, yellow, and pink against bold dark outlines. The work's frenetic energy and fragmented forms evoke a sense of playful chaos, perhaps alluding to the whimsical tale of Had Gadya. Stella’s layering technique enhances the visual depth, inviting viewers to explore each vibrant shape’s role within the complex structure.
A Hungry Cat Ate up the Goat, 1984
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Medium
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116 x 136 cm
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Details
Artist
Styles
A Hungry Cat Ate Up the Goat, Illustrations After El Lissitzky's Had Gadya - lithograph, linocut, and screenprint in colors with hand-coloring and collage, on wove paper, 1984, signed and dated in pencil, numbered PP II, published by Waddington Graphics, London - Sheet: 45 ½ x 53 ½ in. (1158 x 1359 mm.) // A Hungry Cat Ate up the Goat by Frank Stella is a vibrant limited edition print from 1984, part of his series inspired by El Lissitzky's Had Gadya. This mixed media piece combines lithograph, linocut, screen print, hand-coloring, and collage on wove paper, showcasing Stella's dynamic use of color and form. The composition bursts with jagged shapes and layered textures in a swirling pattern of pastel blue, yellow, and pink against bold dark outlines. The work's frenetic energy and fragmented forms evoke a sense of playful chaos, perhaps alluding to the whimsical tale of Had Gadya. Stella’s layering technique enhances the visual depth, inviting viewers to explore each vibrant shape’s role within the complex structure.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.